EnchBySew-53: Spring Shirring (MOB)

Click on this link in iTunes   to download the 53'rd, and other, episodes of the Enchanted by Sewing Audio Podcast

Or listen directly on the web by clicking on http://traffic.libsyn.com/enchantedbysewing/castFINALSpringShirring.mp3

This podcast is an extension of my regular sewing blog - http://meencantacoser.blogspot.com

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In this show I'm continue to share with you, some of my experiences working on my Mother-Of-The-Bride ensemble.

All 3 garment pieces involve  pattern creation or alteration.

Snapshot of This Month’s Show 

1) Pensamientos Primeros/First Thougths 

Shirring? Are we talking sheep? Thoughts on scissors,  shears, and the sewing technique known as ‘shirring’.

To shirr is to gather a piece of fabric, or garment piece,, using drawn or elastic thread in close rows.
 

The knife center.com ….The Difference Between Scissors & Shears www.knifecenter.com/shop/scissors

2) Entonces inspiración para fruncir/Inspiration for Shirring  

Museum portrait and wardrobe shopping

Fruncir means “ to gather”. If you’re practicing your Spanish you might also use the word ‘fruncir’ in reference to frowning or knitting your brows, or puckering up your lips! 

http://www.spanishcentral.com/translate/fruncir

3) Y finalmente, Technicos /And finally 

Techniques that I’ve used for shirring

Give Fabric Elasticity with These Shirring Tips for Beginners - Craftsy

https://www.craftsy.com/blog/2014/11/shirring-tips/

1 Cached

Nov 12, 2014 - Shirring is a magical technique for sewing texture that takes a regular piece of fabric and shrinks it up, giving it elasticity. It's great for skirt waists, shirt hems and even entire bodices! But shirring for the first time is no walk in the park.

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Shirring Fabric - Sewing Tutorial - YouTube

https://www.youtube.com/watch?v=5ZtOqqyRZU8

Note: Within the Inspiration Section, and at the end of the ‘cast,  I included travel notes for places I like to visit in San Francisco Golden Gate Park for fellow sewists who may be visiting, or to prompt other local sewists to share their own thoughts on this locale.

EnchBySew-48:Garment Copycatting

Click on this link in iTunes   to download the 48'th episode of the Enchanted by Sewing Audio Podcast,  produced in October of 2016. Or listen directly on the web by clicking on this link.

This Month’s Show 

Technicos: I'm learning to copycat a favorite knit top, without cutting the garment apart. 

Blog Posts from this Project
Part 1: Getting Started http://meencantacoser.blogspot.com/2016/10/copycat-pattern-work-sleeveless-tee.html

Part 2: Continuing up through Basted Garment http://meencantacoser.blogspot.com/2016/10/copycat-pattern-test-garment-basted.html

~ ~ ~ Other Resources
I have a number of Sewing Pinterest Boards: https://www.pinterest.com/lrshimer/

Errata

I meant to refer to Lynda Maynard, not Lynda Myers!

Lace for Everyday - Flared Skirt Enhanced - New York Sewing Inspiration

I saw several appealing everyday style, lace enhanced garments on a recent trip to see my daughter in New York. I have a number of projects on my sewing table, and I just don't want to forgot this outfit I saw on the streets of Manhattan (next spring perhaps?)  A simple dark flared skirt with a lace overlay, paired with the kind of sleeveless tee that I often wear. This would be a great project for testing lace sewing skills.

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Web Resources: 15 basic skirt styles http://www.ebay.com/gds/15-Essential-Skirt-Styles-You-Should-Have-in-Your-Wardrobe-/10000000177628604/g.html

Lace For Everyday - Simple Top Enhanced - New York Sewing Inspiration

So many great things I'm inspired to sew - thought I have plenty on my sewing plate right now.... Here's another simple everyday garment that could well inspire my future sewing - spotted on the subway on my recent trip to New York. A simple sleeveless top - fitted or unfitted. This young woman's top is cut higher than her waistline, but I think I'd cut it right at the waistline, with a beautiful scallop-edged lace band. This very simple style would look good over any basic shorts, skirt, or pants. Note the armscye is also trimmed with a thin lace trim.

Ench By Sew-46: Ready Set Sew! - Sewing Style

Click on this link in iTunes  to download the 46'th episode of the Enchanted by Sewing Audio Podcast,  recorded in August of 2016. Or listen directly on the web by clicking on this link.

Ready Set Sew! Sewing my own garments, allows me to define and create my own style.

This Month’s Show 

1) Primeros Pensamientos/First Thoughts
* Defining this sewist’s current style 

* Elements of Style- According to Laurel
-Color
-Design Lines and Fit, 
-Fabric and Drape
-Lifestyle

In reference to wearing fur -We go with what the always charming Felix Bassenak (S.Z. Sakall) said to Elizabeth Lane (aka Barbara Stanwick) in Christmas in Conneticut…

"You need it? Nobody needs a mink coat but a mink!"
http://www.imdb.com/title/tt0037595/quotes

2) Entonces/Then
Technicos: Techniques I used for altering M6403, the pattern I used for my black linen summer pants

In Pensamientos Finales, I recall
the importance of
sewing this maxi jumpsuit

3)) Pensamientos Finales/Final Thoughts
Looking back- Sewing myself as a grownup



….

Web and Pattern Resources: http://meencantacoser.blogspot.com/2016/08/floribunda-bouquet-another-sleeveless.html

M6403 pants pattern - out of print but many copies available on the web
M6076 Palmer and Pletsch princess-seamed shirt

Sleeves are Troublesome: Discussion with Susan

Dear Susan,

Here's that princess-seamed shirt muslin (M6076) we talked about. I'm noticing....

* Two sets of diagonal wrinkles across bodice

* Bicep stretches across tight -  but I know for sure sleeve cap should be 3/4 inch longer than curve of armscye. It's not now.

*  I cut back the armhole on this side , so I lost the extra in the sleeve cap 

*  I think the  front pull up means I dropped under arm too much?
* Is the tight bicep maybe because I'm missing 3/4" ease, or because armscye is too low ?

* Hmmm why does back stretch across now? Torso fit fine in the sleeveless version and in this muslin before I added sleeve

Summer Essentials: Basic Shorts

Nothing beats a new pair of basic summer shorts. Usually I make this pattern with the traditional front hip pockets, but this time it was a tradeoff - I just needed to get them done more quickly. Besides, I just about always carry a mobile pocket bag, so as nice as in-garment-pockets are I can make do without them.

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

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It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

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Seams To Fit Part 1: A Little Less Laxity - Learning Precision

I'm improving a lot of sewing skills while working on my bustier project. For one thing I'm doing more pattern work, which is not only helping me to practice creating a physical pattern (I began with a commercial pattern and altered it - a lot). Also I'm learning to use the actual resulting pattern in new ways. 

I've changed my concept of when to create a seam allowances, at least for this very fitted garment. 

Creating a pattern with no seam allowance, is starting to be useful

Typically, when working with a woven fabric, I've used the standard 5/8" seam allowance that comes on a commercial pattern, or else added that same measurement to my own pattern. I knew that traditional patterns are often created with no seam allowances (Burda Magazine patterns are an example), but I didn't understand why that was done. Now I have a reason to leave that allowance off the pattern.

It has to do with fit.

I don't usually make fitted garments. If the seams I sew in, say, a loose shirt project aren't absolutely, precisely the same as the original pattern it's probably not a big deal. I sew the back to the front at more or less 5/8" away from the cut edge. A little extra or less between a couple of friends, and you're not going to notice the lack of precision in the finished project. 

 A bustier, however, is an ultra-fitted garment. In addition it covers much less body area than that loose shirt. Oh, and by the way, instead of that loose shirt's one back and one front piece - the back of my bustier is three pieces. The front is five pieces - several of which are extremly narrow. And those eight pattern pieces cover less surface area than the loose shirt's two.

If I'm at all casual about the seams whose positions I've carefully detailed while fitting this pattern, the garment is in danger of being too tight to fit. Or it may simply fall off!

I need to know, when I sew, that the seams I planned to sew during the fitting stage, are the ones I actually do sew. The first important thing I do to achieve that goal, is by marking my seams accurately. My goal is to get the seams within 1/8" of what I've decided is correct. I may still loose a little one way or another. My final back and front seams will make up any final corrections, but if it's very much off it will be noticeable. I want to avoid that.

Next Posting - Seams To Fit: Making My Mark  

Shirt or Blouse? Pattern Plays a Big Role

I used Butterick 5226 for my No 1. Ladies Detective Agency Shirt I guess it's the more fitted character of the princess seams views that cry blouse! to me. The others strike me as shirts.  

Vogue 8747 is still in print

Vogue 8747 - much like the front-of-the-bust gathered shirts that Lexie in BBC's Monarch of the Glen wore, strike me as shirts. So I guess being more fitted doesn't always say blouse....

Simplicity 9857 is Out of Print
But several used pattern sellers on the web have it

*Simplicity 9857 (out of print). These garments, with their more romantic flowing lines, look blouse-like, don't they? Those front tucks are not at all crisp, so that must be it.

Vogue 2105 80's Blouse (out of print) Seems more blouse-like than shirt like. Why? Is it simply the way the pattern front styles the garment? Is it the deep open neckline? Perhaps it's the nearly hidden buttons and the somewhat formal, dressy look of these pieces.

Vogue 2105 is Out of Print
But several used pattern sellers on the web have it

McCalls 7360 is Out of Print
But several used pattern sellers on the web have it

I'd definitely call this a blouse....McCalls 7360 (out of print), says soft, both in it's romantic flowing lines, and it's traditionally feminine, historically inspired collar details.

Pensamientos: Machine Embroidering Tee Shirt Creations

My machine embroidery setup is not totally modern and up to date. I bought my Viking Iris new maybe 7 or 8 years ago. I had to buy the embroidery designs on cards, not as digital downloads. When I bought the machine I only had the bucks to buy one extra card. There was also one that came with the machine. A couple of years ago I thought I would break down and buy another card and, guess what? I found that Viking no longer sells the cards, because this machine is now considered to be out dated.

I managed to find a few cards on EBAY. The good thing is that I have enough cards now (5 I think) to provide me with enough designs to keep me happy for several years. It's still sad that a sewing machine goes out of style with the manufacturer so quickly. Maybe in 5 or 6 years I will buy a used machine for embroidery that uses digital downloads, probably a machine that is just coming out now. I wonder what technology will replace that and make it impossible to get designs?

I like having the machine embroidery capability and enjoy stitching out the designs and choosing colors, but I don't spend a ton of time doing it. Sewing time is part of my recreation time and most of my sewing recreation time goes into sewing the actual garments. But I've been doing machine embroidery on tee shirts lately. I love making tees because

a) My time is well invested. I get a lot of regular, every day use out of them.

b) I can fool around altering patterns and re-cut inexpensive boxy tees for fabric to test out pattern alterations. I buy two of the same color (which I often find on sale for $2.50 each) and turn those two into one. That allows for darts, gathers, and any other goodies I come up with. These budget fabric test garments are highly wearable, they aren't just toilles. They help build my confidence for sewing tees when I buy a pricier knit, at Fabric.com or that great fabric store in Berkley Stone Mountain & Daughter.

When I machine embroider my tees, they really look like something special.

Technique: What works for me is to use two kinds of stabilizer. I put a regular stabalizing layer for knits underneath the hoop. Then I put the wash-away kind that looks like saran wrap on TOP of the hoop. That seems to work pretty durn well.

Pensamientos: Starting with a Commercial Tee Shirt Pattern

I stopped in to check out a buddies newest project, at my favorite sewing and crafting web site, Crafster. Once there I considered posting a question about my current challenge with the neckband on my current scoop-necked tee pattern. The challenge comes about because I'm working on creating my own personal tee patterns. This has been an ongoing challenge over the past year-plus. Though I started out with a commercial tee shirt pattern, I've moved well beyond it.

I created this tee from one of my commercial pattern alteration, some machine embroidery and some darling little lizard beads my daughter brought me back from a trip to Flagstaff Arizona.

Here are just a few variations I've created... producing three different styles that suit my ideas of the way this every-day-practical garment should fit.  I've:


- Altered shaped sides from another pattern. One variation is still straight up and down - this just works better with certain knits. The other two curve in with a kind of hourglass look. I'm an 'H' shape, but my tee shirts don't always make that clear. It seems like the hourglass look works better when I sew a knit with some lycra in it. If it's called 'jersey', I think shape it.

- Decreased the width of the shirt (by folding lengthwise down the middle of both front and back pieces)

- Added darts. I never make a tee without darts anymore.

- Worked up a couple of different neckline variations. A kind of higher circle that's more like a typical commercial, rib-knit height and a kind of boat neck look. My new scoop neck lays just right until I go to bind the edge. Then I start fighting with my binding. I've always had to lightly stretch my bindings to keep them from rolling, but now I'm needing to stretch more as I move into the scoop and less as I come into it. I finally decided that I better run a hand-basting stitch along the neckline in the version I worked on last night. That's kind of working, though there's are slight gather lines showing once the binding is pinned on. I'm currently pretending that's a design feature! Once I finish it, I'll ask around for advice on other ideas to try. I may just go back to a facing for my scoop neck design.

I spend a lot more time now, making test garments (a.k.a. muslin or toille). For tee shirt practice I buy the largest inexpensive tees I can find, in sets of two. Then I cut across the shoulder lines until I end up with flat pieces to work with. In most cases I can wear the result. And when I buy something splendid in the knit line from an online fabric store, I feel much more confident that it's going to look like I want it to. I've learned that I just can't overdo on the amount of time spent considering the pattern. And the more time I put in, the higher my success rate.

Learning to alter commercial patterns for myself, beyond just a change in hem, or sleeve length or width is helping me to learn to be patient. It gives me a feeling of design control. The payoff in practical prettiness is really worth it.

A few of my tees hanging to dry.