EnchBySew-51: Betsey Johnson - Following a Vintage Alley Cat

Click on this link in iTunes    to download the 51'st episode of the Enchanted by Sewing Audio Podcast,  produced in January of 2017.

Or listen directly on the web by clicking on http://traffic.libsyn.com/enchantedbysewing/FINALcastBetseyJohnsonAlleyCat_LAURELSHIMER.mp3

Not long after I finished up my front pleated, mid-weight,  denim trousers. Suddenly hit … that
I was taking my sewing inspiration from trousers I’d sewn in high school – which for me was quite some time ago.

And that inspiration came from fashion designer Betsey Johnson.

What will you hear in this month’s show?

1) Vintage Alley Cat – The Original Betsey Johnson
– In which Laurel is whisked away on a time travel jaunt, reminding her that not all of her sewing projects come from the pages of the here and now.



2) Betsey Briefly – A Timeline
a. Including  a bit about how Betsey’s designs iinfluenced my own coming of age sewing
https://en.wikipedia.org/wiki/Youthquake_(movement)

Great article about Betsey in Vogue - lots of interviews with folks who have known her for a long time
http://www.vogue.com/13262702/betsey-johnson-cfda-awards/

https://en.wikipedia.org/wiki/Betsey_Johnson

Betsey is still going strong ! http://www.betseyjohnson.com

3) -Trousers Inspired by an Alley Cat
In which  A woman draws inspiration from her teenaged sewing self. Talk about time travel!

a. The original Betsey Johnson pattern  - way back when - was B3289
http://meencantacoser.blogspot.com/2017/01/vintage-flared-trousers-alley-cat.html

b. Further ideas for sewing inspired by Betsey Johnson. The Jamie M pattern, I mentioned in this section, - way back when - was B6533 Here's a posting I did showing a little bit of what I talked about in the 'cast. http://meencantacoser.blogspot.com/2017/01/laced-up-empire-alley-cat-more-betsey.html

c. Different kinds of pockets - https://www.craftsy.com/blog/2014/02/kinds-of-pockets/

Lace for Everyday - Flared Skirt Enhanced - New York Sewing Inspiration

I saw several appealing everyday style, lace enhanced garments on a recent trip to see my daughter in New York. I have a number of projects on my sewing table, and I just don't want to forgot this outfit I saw on the streets of Manhattan (next spring perhaps?)  A simple dark flared skirt with a lace overlay, paired with the kind of sleeveless tee that I often wear. This would be a great project for testing lace sewing skills.

~ ~ ~

Web Resources: 15 basic skirt styles http://www.ebay.com/gds/15-Essential-Skirt-Styles-You-Should-Have-in-Your-Wardrobe-/10000000177628604/g.html

Ench By Sew-46: Ready Set Sew! - Sewing Style

Click on this link in iTunes  to download the 46'th episode of the Enchanted by Sewing Audio Podcast,  recorded in August of 2016. Or listen directly on the web by clicking on this link.

Ready Set Sew! Sewing my own garments, allows me to define and create my own style.

This Month’s Show 

1) Primeros Pensamientos/First Thoughts
* Defining this sewist’s current style 

* Elements of Style- According to Laurel
-Color
-Design Lines and Fit, 
-Fabric and Drape
-Lifestyle

In reference to wearing fur -We go with what the always charming Felix Bassenak (S.Z. Sakall) said to Elizabeth Lane (aka Barbara Stanwick) in Christmas in Conneticut…

"You need it? Nobody needs a mink coat but a mink!"
http://www.imdb.com/title/tt0037595/quotes

2) Entonces/Then
Technicos: Techniques I used for altering M6403, the pattern I used for my black linen summer pants

In Pensamientos Finales, I recall
the importance of
sewing this maxi jumpsuit

3)) Pensamientos Finales/Final Thoughts
Looking back- Sewing myself as a grownup



….

Web and Pattern Resources: http://meencantacoser.blogspot.com/2016/08/floribunda-bouquet-another-sleeveless.html

M6403 pants pattern - out of print but many copies available on the web
M6076 Palmer and Pletsch princess-seamed shirt

Ench By Sew-40: Year of Monkey Inspires Sewing

Click on this link in iTunes  to download the 40th episode of the Enchanted by Sewing Audio Podcast,  recorded in January of 2016. Or listen directly on the web by clicking on this link.

Kunghei fatchoy!*

The Celebration of the Year of the Monkey begins  just a little over a week from now. This month’s  “Enchanted by Sewing” show celebrates sewing inspired by the Chinese Lunar New Year

This episode:
Primero /First  - A brief introduction to the Chinese Lunar New Year

http://www.sftourismtips.com/chinese-new-year-san-francisco.html

http://www.telegraph.co.uk/news/worldnews/asia/china/12125631/Chinese-New-Year-2016-The-Year-of-the-Monkey-Everything-you-need-to-know.html

Entonces/Then: My audio notes from the show “China through the Looking Glass” a very popular textile and fashion show that ran  last summer 2015, at the Metropolitan Museum of Art in New York City

Y Tambien/And Also:  I include reflections on my own experiences with Chinese inspired patterns, textiles and fashions.

https://en.wikipedia.org/wiki/Cheongsam

. . .

The American mid 20’th century musical “The Flower Drum Song” is a great way to get a sense of Euro-American people’s awareness of Chinese –descent communities in their midst. 

Chinese fabrics and styles, whether from history, stories, films or  a growing awareness of Chinese culture, have inspired elements in my sewing, since before I first put a needle into a piece of material.

Remembering where my inspiration to create and sew comes from, is just one more thing that keeps me…

Enchanted by Sewing


*In Cantonese “Happy New Year” is “Kunghei fatchoy “ (/gong-hey faa-chwhy/)

Ench By Sew-37: Savage Beauty of Alexander McQueen (Halloween Style)

 

 October is a month when many of us in the Western Hemisphere get in touch with our own emotions and comfort dealing with

mortality. Folks in my neck of the woods celebrate Dia de Los Muertos – Day of the Dead. Dia de Los Muertos is a day for celebrating ritual death tradition- engaging in crafts, creating and eating special foods, and putting out images – colorful, beautiful, and also macabre – that may touch on a connection with departed family members.

Listen directly to this audio/podcast on the web by clicking on this link OR.... to download the show from iTunes Click on this link to iTunes  , 

In our neighborhood we put out beautiful pumpkins, scary dancing skeletons and bright lights. Then we celebrate our connection to another world, by welcoming in the trick or treaters- be they costumed beautifully, colorfully, or gruesomely - by handing out free Halloween candy.

Fashion designer Alexander McQueen focused on designing beautifully romantic, avent garde fashion. He also had a strong interest in the macabre. His masters fashion exhibit “Jack the Ripper Stalks His Victims”, was a hint that this emerging designer was not going to be run-of-the-mill when it came to setting his artistic tone. Other chilling exhibits followed. “Highland Rape” and “The Widows of Culloden” , among others, carried McQueen’s historically inspired fashion artistry farther into the dark side of the human soul.

Morose? Yes – often- but his work was also drop dead gorgeous. Many of McQueens materials, embellishments design lines, colors, technology and elements inspire my arty-romantic sewing nature, even as I am frightened by other aspects of his work.

As you accompany me in the show, I’ll share the beautiful, and the colorful as well as the scary.  Because that’s what this time of year is all about, where I live.

Gypsy Rose Lee Tree Gown - Enchanted by Charles James

In my recent Enchanted by Sewing audio/podcast "Enchanted by Charles James",
I talked about seeing this gorgeous "Tree" gown designed to highlight Gypsy Rose Lee's curves.

Listen to the show, then see what they've got to say about this beauty in the Metropoliton's Collection.

Enchanted by Sewing - Enchanted by Charles James http://www.meencantacoser.blogspot.com/2015/08/ench-by-sew-35enchanted-by-charles.html

Tree Gown at the Met http://www.metmuseum.org/collection/the-collection-online/search/159583

Ench By Sew-35:Enchanted by Charles James - 20'th Century Fashion History

The Charles James Ribbon Gown - Muslin in the background

Enchanted by Charles James - Stepping into a liminal space to study and enjoy glorious fashion designs and analyze the construction of those garments is the kind of thing that keeps me … enchanted by sewing.

Hey let’s go to the show together! To do that you can either download the ‘cast from iTunes - Click on this link to iTunes  , 
*OR* listen directly on the web, by clicking on this link


* * *
  Some months the Enchanted by Sewing podcast, journals my own sewing project accomplishments, techniques and creative ideas. Other times I share the source of  some of my sewing inspiration. This month is inspiration time, as I take you along on an another in-the-,moment fashon exhibit - a visit to the beautiful Legion of Honor Museum in San Francisco , where I went repeatedly to  view the exhibit, High Style: The Brooklyn Museum Costume Collection  exhibit of the Brooklyn Fashion Museum.

This collection – which is housed  and curated by the Metropoliton Museum of Art  in NY City- includes a wide range of the work of 20’th century designers and couturiers.

There was no way I could share all of what I saw with you.

By my third visit, I realized that , despite the charms of designers and coturiers in the exhibit- Elsa Schiaparelli and Madeleine Vionnet, just to name a few of the big names, and some that have been almost forgotten- the hands-down winner for sharing with you, was Charles James. That’s because James, and his clients and admirers, worked to see to it, that more than his beautiful garments were saved in this collection, to motivate and educate future sewists, designers and couturiers. This historical treasure trove includes sketches and muslins which really tell the story of how he worked, and what went into the garments he fashioned. They are an inspiration for the creative process.

The body of Charles James work extends from the 1930s into the1950s. The garments he designed, constructed and created were worn by high society types like  Austine Hearst, the wife of Mr. William Randolph Hearst, Jr., Millicent Rogers and Mrs. Cornelius Vanderbilt Whitney. They were also made for women with less blue blood like Jeanne Bultman the wife of the artist Fritz Bultman, and Gypsy Rose Lee!

James didn’t just sketch up a gown and expect others to produce it. He worked in the true couture tradition (some say the only American designer who did). He draped fabric in complex ways to get what he was after. Often he created specialized support systems under his gowns, to enhance and extend their third dimensions . Charles James also used fabric in studied ways working with color, light and reflectivity in addition to the hang or drape of the material. He also focused on developing seaming techniques that molded the fabric into directions he wanted it to move.

I’ll be blogging more about Charles James garments I saw at this exhibit over time . You’ll find those in the podcast show notes and at my regular blog, MeEncantaCoser.blogspot.com. So if you find Charles James as appealing as I do, subscribe to the podcast show notes or Me Encanta Coser to be notified about new James postings.


Show at the Legion of Honor in San Francisco http://legionofhonor.famsf.org/legion/announcements/collecting-fashion-20th-century-couture-costume-and-textile-arts-collection?utm_source=Fine+Arts+Museums+of+San+Francisco+E-Mail+List&utm_campaign=e68929bce3-15_3_4_e_news_general&utm_medium=email&utm_term=0_9757c5111b-e68929bce3-85610377

Other SF show links
https://legionofhonor.famsf.org/highstyle

https://legionofhonor.famsf.org/highstyle/about

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The Entire (over 400 items) Charles James Collection is Freely Available and Searchable Online at the Metropolitan Museum - Brooklyn Costume Collection. This collection includes not only beautiful garments, but muslins and design sketches James created along the way.

http://www.metmuseum.org/collection/the-collection-online/search?&ft=charles+james&what=Costume&pg=1

A few Example Links in the above collection - Use this link to do your own searching

Muslin for the Ribbon Gown  http://www.metmuseum.org/search-results?ft=charles+james+muslin+ribbon

Charles James Fashion Sketches

 http://www.metmuseum.org/search-results?ft=charles+james+sketch&x=0&y=0

Clover leaf Ball Gown Sketches

http://www.metmuseum.org/collection/the-collection-online/search/156716

http://www.metmuseum.org/collection/the-collection-online/search/156717

Entire online collection at the Met.Wow!
http://www.metmuseum.org/collection/the-collection-online

Articles about Charles James

http://www.harpersbazaar.com/culture/features/a1451/charles-james-couture-profile-0214/

http://agnautacouture.com/2013/12/15/charles-james-the-first-american-couturier-was-an-egomaniac/

http://www.nytimes.com/2014/04/24/fashion/charles-james-and-me.html?_r=0

Antique-Retro Threads: Plum-Purple Pocket Dress - Mid Twentieth Century

                        

 I have  been thinking about adding embellishments to basic patterns lately, as I've been working on creating a rather

challenging embellishment on the straight skirt I've been sewing, using a pattern I created from my sloper. I haven't blogged about that project yet, other than a posting describing how I created the pattern.  

My own embellishment work got me thinking about this plum-purple frock,  that caught my eye at  the exhibit From Rationing to Rationing at the Museum of Vancouver. I saw it on our visit to Vancouver Canada in the fall of 2014. Yup, that's the visit, for which, I created my audio show  Embellishment Via Vancouver B.C.

 ~ ~ ~ 

Pensamientos/Thoughts for this plum-purple pocket dress...

Fashion doesn't necessarily move as fast in real life as it does on the pages of a magazine. I recall dresses from my own childhood, in the 1960's, that harked back to many of the design elements in this dress, which is probably an end-of-the war, or just post-war creation.
* The fitted bodice is very mid-twentieth century
* Dainty collars added a popular innocent look
* No-button buttons were a simple embellishment many home sewers added. Buttons were often recycled from worn-out garments, so sewists had them around
* Short puffed sleeves stayed in style for several decades, certainly through the seventies
* Yokes also stayed popular through the late seventies
* Lots of pretty edging and trims like these, served up on plain fabric backgrounds,  are really reminiscent of the mid-century, before the mid-sixties, when dresses got much shorter and styles became all about crazy prints. Sewing up prints was in vogue, because printed fabrics were suddenly much more affordable and available.

And what about that pocket!

I created a similar pocket on my favorite black velvet bath robe, a few years back, by angling out the sides of a rounded pocket pattern. This one looks even more full. I must try fooling around with a pocket pattern to get a similar effect.

The pocket also  dips down in a heart shape in the center. And what about that beautiful embroidered velvet trim! It really tops off the pocket nicely.

* Lots of detail on the yoke was again very popular. It works because of the plain-colored background, even this peach colored lace can be over-embellished. I think that trim worked with ribbon is called insertion.
* Dark colored velvet bows at the neckline have a very mid-twentieth-century look as well. Doris Day often wore bows like this in her movies, especially black ones. Velvet bows were also popular as hair adornments. That was a signature style for Rosemarie in the Dick Van Dyke show, of course. Well into the sixties we could buy velvet bows on hair clips at the 5 and 10 cent store. I guess that would be the 5 and 10 dollar store now!

Reflecting on styles that affected fashions from my childhood, and considering embellishment elements that still work today - That's the kind of thing that keeps me ...

Enchanted By Sewing!

Ench By Sew-31: Historical Bathing Beauties

The April Enchanted By Sewing, Episode 31 Audio Show is Up !

Option I) Listen to the Audio right on the web by clicking on this link - No need to download 

~ OR ~

Option II)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

Bathing and swim wear has certainly changed from the cover-em-up days!

 Have you ever sewn your own swim or bathing suit? I created a couple of bikinis way, way back in high school, but since then, frankly, I’ve been happier to buy my suits. I do however often stop off at various sewing blogs to sample bathing fashion creations that other sewists have created, and daydream a little at trying my hand at another suit one day.

I also get a kick out of hearing and reading about how bathing suits have changed over time, and thinking about what a shock people must have had to suddenly start seeing others, especially women, revealing so much of their flesh on beaches! The big changes in swim suit styling around the 1920’s seem to have been about the time when the  sport changed from ‘bathing’ to ‘swimming’ in the English speaking world. It wasn’t enough just to immerse ourselves in water outside, as we did indoors anymore. Now more people wanted to get some exercise when they went into a pool, river or ocean.

This month I’m sharing a walk around an historical bathing suit exhibit I saw at the Vancouver Maritime Museum in the fall of 2014. Won’t you let me know if this show gets you in the mood to sew your own modern day or historically inspired bathing or swimming suit, by posting below?

Babes & Bathers: History of the Swimsuit
http://vancouvermaritimemuseum.com/press/babes-bathers-exhibit-opens-maritime-museum.

Here is the promotion for the exhibit, from the web link at the museum. Please note that the show is no longer running.
‘
"In a city surrounded by water, swimsuits have always been an essential part of our wardrobe as Vancouverites. From swimming costumes to bikinis, bathing suit styles have fluctuated from the modest to the more revealing, all in a desire to make us fashionable by the water’s edge. Drawing on the private collections of celebrated fashion historian Ivan Sayers, you can now see the modest suits, revealing bikinis, and sometimes outrageous costumes that have been spotted on Vancouver beaches since the 1890s. "  http://www.vancouvermaritimemuseum.com/

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

~ ~ ~

It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

   ]

Ench By Sew-024: Shirtdressing and Fall Fun

Hey! 

The latest Enchanted by Sewing Podcast has been published!

Listening Option I) You can listen to the show right on the web by clicking on this link

(http://traffic.libsyn.com/enchantedbysewing/castFINALSHIRTDRESSINGSept2014.mp3 )

~ OR ~

Listening Option II)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes 
( https://itunes.apple.com/us/podcast/enchanted-by-sewing/id566370325)

Please note that the Fantasy Fall Sewing Questionnaire from the show, is at the end. Please post any and all answers below, or email your thoughts to EnchantedBySewing@gmail.com

I've recently started a Shirtdress Sewing Board on Pinterest :-) http://www.pinterest.com/lrshimer/shirtdressing-sewing/

Here are the two dresses I created in September, and talked about in the show

Hey I just realized I'm holding the tapestry cap I focused on
in last month's podcast!

This is the happiest I've ever been with the job I did on a sewing project
:-)

Check out the beautiful Fran Leibowitz photo of Amy Adams that inspired me to finally get cracking on my own shirtdress http://meencantacoser.blogspot.com/2014/08/inspired-by-amy-adams-creating-perfect.html

Della Street often advised Perry Mason in his work, by asking leading questions.
She also wore a lot of shirt dresses!

You often see only the bodice of Miss Streets shirt dresses,
But I can see just enough of the skirt fabric here to see that it's the same as the bodice.
I bet the costume designer altered the same pattern repeatedly for the actress :-)

Della Street, Perry Mason's "confidential secretary" often wore shirtdresses. They gave her a professional and ladylike image.

Look to television shows from the late 50's and early 60's for examples of retro shirtwaists that still look up to date. Below is an example in what appears to be white satin (!) alo from Perry Mason. I love those wide, rounded shawl-collar lapels too. Shawl collars were again popular in the 1980's.

One of Perry Mason's clients wears a shirtdress
in white satin
Love that sheen, and such an unexpected fabric choice!

It's a very full skirted shirtdress
And the bodice has a lot of fabric too - very blousey

I love the wide shawl collar too

OK, the pattern I used is not a current pattern (though I found it for sale in a couple of places on the web). It is however a classic shirtwaist style and you can find many similar dress patterns currently in print. I don't think there's every been a big four pattern company season, when there wasn't at least one shirtdress in every catalog.

I made the version shown here in the front row in blue.

I journaled about the shirtwaist (Peaches and Cream) I created, in my blog, Me Encanta Coser, over the course of September and early on 

Fantasy Fall Sewing Questionnaire

Please post any and all answers below :-)

1)  Roughly where do you live in the world – you don’t need to get too specific.  

2)  What’s the climate like where you live in the fall?  

3) Is there a big change between what you wear/sew in fall versus summer?

4) Which is your favorite fall celebration ? Do you have Halloween or Thanksgiving where you live?  

5)  Do you have special or different foods that says fall to you?  

6). What is your favorite fall fabric – whether or not you’d sew it up in your climate/region?  If different - What is your favorite fall fabric that DOES work well where you live?  

7) What is your favorite fall color – this year?  

8)    Do you have  a specially favorite fall fabric pattern (like a printed design or a pattern woven into fabric)?  

9)  Do you have a fave classic fall garment you’d like to sew or have sewn? Is it for yourself or for someone else?   

10)    Do you hope to sew one or more practical garments for fall, and if so what?  

11)      If different than the previous garment -  Do you hope to sew one or more special  garments for fall? What?

12)  If you could wave a magic wand, and create anygarment that feels like fall what would it be?  

13)  Would that magic wand garment garment play a regular part in your wardrobe, or would you just like to have it and wear it on special occasion(s)?  

Did I miss any links mentioned in the show? If so, please post those links below and share them with everybody

Email- EnchantedBySewing@gmail.com

~ ~ ~