Ench By Sew-32: Parlez Vous French Pattern Drafting?

The May Enchanted By Sewing, Episode 32 Audio Show is Up ! 

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I first signed up for Lynda Maynards' French Pattern Drafting Class to help me improve my fit and alteration of commercial patterns and was surprised to find that Lynda's class opened my eyes to the idea of drafting my own patterns - an aspect of sewing I’d never expected I’d get involved with, and frankly considered beyond my skills.

Studying with a teacher like Lynda and being inspired to try new things – that’s the kind of thing that keeps me, enchanted by sewing!

1) Pensamientos Primeros – The Art of French Pattern Drafting

My Pattern Work Postings

Early Days in Pattern Drafting Class - Includes Kenneth King Link http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

More from Class http://meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html 
and

http://meencantacoser.blogspot.com/2015/03/fitting-in-sleeve-sloper-pattern-work.html

 Using My Sloper and Moulage to Draft Patterns

http://meencantacoser.blogspot.com/2015/04/pattern-workparlez-vous-tee-shirt.html

http://meencantacoser.blogspot.com/2015/04/damson-plumm-private-eye-nibbled-that.html

     Parlez Vous Flared Skirt? http://meencantacoser.blogspot.com/2015/04/pattern-work-parlez-vous-flared-skirt.html
 

Pattern Work on Pinterest:Links to many pattern drafting and design resources  https://www.pinterest.com/lrshimer/0-sewing-pattern-work/

2) Technicos  - On Wearing Ease Going from a Moulage to a Sloper and Back Again

http://meencantacoser.blogspot.com/2015/05/parlez-vous-wearing-ease-moulage-to.html

3) Pensamientos Finales – My sloper...A garment for any occasion?
 

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

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It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

   ]

Drafting my Back Block - Learning Pattern Work with Moulage/French Pattern Drafting

Version 1 of my Back Pattern Block Draft

I'm taking Lynda Maynard's Moulage class at Cañada College. Moulage is the traditional style of pattern drafting used in France. Lynda studied pattern drafting, among other things, with Kenneth King. We're using a printed version of Kenneth King's Moulage book. 

On the web I can only find Kenneth King's Moulage Book on CD http://www.kennethdking.com/book/#moulage

   

We'll be creating a skin-tight, fitted moulage and then a sloper - a moulage that includes minimal wearing ease. We'll also be drafting sleeve patterns/slopers to work with these. My sewing buddy Susan and I, are very excited about those sleeves! Susan was featured in last month's Enchanted By Sewing Audio/Podcast - A Very Fitting Sewing Day With Susan

We've begun by drafting our back pattern blocks.

To get to this point, we followed Kenneth King's/Lynda's directions. Those included:

1) Taking careful measurements of, and recording, many dimensions of our bodies - front and back. I think there are about 20 measurements between our neck to the floor, with most of them centering around the torso. This is not something you can do for yourself. You need at least one buddy. It reminded me of the measurements we took when we made our dress form kits. (I produced a podcast about creating Dress Forms)

2) Using these measurements in a number of formulas, to create a sheet of calculations. Again we made a careful record. It was definitely worth my time to triple-check that I had
a) transferred the right measurement into the formula
b) done the math correctly
We rounded up all of our math to the nearest 1/8'th of an inch. 1/8'th of an inch is the smallest measurement on most rulers.
The book includes metric directions as well.

3) Next we followed  Kenneth King's/Lynda's directions to draft the back block you see here, using the calculations. Once more I'm went back and triple-checked, to be sure I was using the correct calculations in my draft.

Lynda reviewed our work not only for correctness, but also to make adjustments for various figure types. She adjusted the line in many of our shoulder drafts down at an angle. I'd guess that you might see the need for this later on in the process, if you're doing this work on your own.

Next we'll be drafting our front block.

After that, we'll work up a version in muslin.

This is one of those processes that takes a lot more time than I'd expect, but it's going to be well worth it for me.

My goals for the class are:

A) To make a new fit garment for my dress form, Conchita. I'll also be removing some of Conchita's padding and batting, to fill out that fit garment correctly. Gosh, wouldn't it be great if it were that straightforward for people to lose weight?

B) To create clear plastic transparencies I can use when altering commercial patterns. Lynda says the material she uses for this is from Tap Plastics ( Tap  Plastics:
24 1/2"  by  45"  by  .020  smooth/matte  polypropylene  sheet  SKU#20346)

C) Down the road... I might use these block in some way, in conjunction with draping my own patterns

Learning more about what makes patterns come together is the kind of thing that keeps me . . .

Enchanted by Sewing!

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My Buddy Susan and I share what we've each learned about getting a good fit with our sewing patterns. In Last month's Enchanted By Sewing Audio/Podcast  Susan described key things she learned from sewing fit classes (Also we had a lot of fun chatting) A Very Fitting Sewing Day With Susan (Download or just listen on Line) http://enchantedbysewing.blogspot.com/2015/01/ench-by-sew-028-very-fitting-sewing-day.html

Enchanted By Sewing Audio/Podcast - Dress Forms (Download or just listen on Line) 
http://enchantedbysewing.blogspot.com/2013/09/ench-by-sew-12-dress-forms.html

Ench By Sew-12 Creating Dress Forms (Podcast Episode)

Co-Published with the Show Notes for Enchanted By Sewing

http://enchantedbysewing.blogspot.com

Hey! The latest Enchanted by Sewing Podcast has been published!

Two Ways to Listen

i)You can listen to the show right on the web by clicking on the this link

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~ OR ~

ii)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes 

Did I miss any links mentioned in the show? If so, please post here and let me know, or else email me ,  EnchantedBySewing AT gmail

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This month show is about my experiences creating and using two different types of dress forms - 

a) A duct tape dress form

b) A Uniquely You dress form

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Please send your thoughts about this month or next month's topic – Jeans Sewing -in the Post a Comment section,  below :-)

~ ~ ~

Please Note

My Uniquely You Dress Form Instructor was Judith Jackson. I referred to her as "our teacher" in the original recording, as I was waiting to ask her permission to include her name. She said 'yes' :-)

In this month's show

1) What is a dress form?

a. A mannequin who’se shaped like you. A fitting or body double, a way to fit patterns, garments, drape and design as though you’re the tailor and the dress form is you

b. Listen to Lori's Sew Forth Now Podcast for a history of dress forms

Lori not only talked about history, she also talked about the style of dress form and I’m not repeating any of that. Please listen to her wonderful show (she said it would remain there for the near future) esp interesting to me is lori’s archeologic work, uncovering the history of dress forms.

http://sewforthnow.blogspot.com/2008/05/episode-28-dress-forms.html

Lori uses an adjustable dress form, I worked with two different types – duct tape and a Uniquely You dress form

c.

2) Why I wanted a dress form

a. Fit

b. Trying out patterns and muslins in 3D

c.  Create and play around with my own designs, and minor commercial pattern alterations and design changes

d.  Because Lori made them sound so appealing!

e. Maybe for photographing in my blog….

3) Body Issues and your Team

a. Body issues are a part of our culture

b. Find helpers/team who help us feel good about ourselves

c. A dress form helps us distance ourselves from body issues – it’s just data

d. A dress form helps us notice our best features – what do I want to flatter more?

e. A dress form helps us make patterns or garments we design ourselves more flattering, so we learn to play up our best features

f. A dress form allows us to experiment with a muslin/toile – Can I make a shirtwaist that flatters my figure type?

g. Choosing our Team

4) Two types of dress forms I experienced. Basically what they are,  

5) Cost

6) Materials (tools)   and Resources (web stuff) - I list some Resources below

7) Safety- Working around kids,  young or older goofy, fun loving kids - Two good reasons not to !

8) Social Comfort/Body Issues – You need a work group, at least one other person. Find someone who supports your best interests and helps you feel good about yourself

9) How I’ve used my dress forms , what other things I or others might do w/ them

 - Fitting, altering, trying out new patterns, hand sewing/deconstructed neckbands - helps me conform neckline to lay well on me

- A Wedding in your future? Formal/Special Occasion Wear I would guess that if you’re doing a formal dress for someone with beading or close fitting - and maybe they aren't available at the drop of a hat, might be worth making a duct tape (or other type )  dress form for them

10) Technicos: In-depth details about how I made these two different styles of dress forms. What I actually did to create them

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Resources

Listen to the Podcast on web - no need to download to a mobile device
http://traffic.libsyn.com/enchantedbysewing/draft5_dress_formENCHANTEDbySewingFINAL.mp3

There are so many fun things about dress forms - making them, draping on them,  displaying historic, artistic and other garments on them, and enjoying them as an art form - whether full sized, half size, miniature or doll size. There are even topiary forms inspired by dress forms. Whenever I see a good dress form that fits any of these categories, I pin it on one of my virtual bulletin boards http://www.pinterest.com/lrshimer/dress-forms/

Lori recorded a Sew Forth Now podcast episode on dress forms. I tried not to duplicate anything she already talked about in this great show

http://sewforthnow.blogspot.com/2008/05/episode-28-dress-forms.html

Dress forms are a popular theme with sewing bloggers 

http://makingitwell.blogspot.co.nz/2012/03/i-made-my-own-dress-form.html

"Threads" Magazine has many articles related to dress forms

Quick and Easy Duct-Tape Dress Form

http://www.threadsmagazine.com/item/3630/quick-and-easy-duct-tape-dress-form/page/all

Some people think Paper Tape works better than duct tape. Haven't tried it myself, but I'd be game!

      http://www.threadsmagazine.com/item/3633/paper-tape-dress-form Paper Tape Dress Form

Kenneth King make an extra body to use for two people  in Threads issue 161

 June/July 2012

http://www.threadsmagazine.com/item/31229/make-your-dress-form-work-for-multiple-figures

I looked in the Threads Magazine Archive to find different articles. You can find that at...

http://www.tauntonstore.com/threads-magazine-issues.html  You can buy individual Threads back issues, if you or your public library doesn't have them on the shelf.

http://www.threadsmagazine.com/item/29304/dress-forms-can-be-a-sewing-room-essential

1) "Fit for Everyone" by Kenneth D. King in issue #161. This describes how to sew removable covers to make your dress form work for multiple figures.

A. "Tip: Meet Madeline" by Sandy Moeckel in issue #153. This tip describes how Sandy inexpensively made her dress form suitable for herself as well as her daughter.

1) "Tip: Identical Body Double" by Anne K. Brenz in issue #144. This tip describes the way Anne made her dress form fit her every curve.

• "The Dress Form–A Sewer's Best Friend" by Carol Fresia in issue #123. Described below.

• "Make An Arm for Your Dress Form" by Shirley Botsford in issue #90.

• "Clone Yourself a Fitting Assistant" by David Page Coffin in issue #75. This article explains how to make a dress form from scratch.

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Things I might try out for arty fun and practice with my dress form 

Making a newspaper dress on a dress form. Fun way to learn draping?

http://www.youtube.com/watch?v=VlHmzXCWEh4

A tutu might also be a fun way to experiment with draping on a dress form too "How to make a tutu out of paper" http://www.youtube.com/watch?v=qp6nKpzd0eI