I gotta remember to Stay-Stitch those sleeves! Muslin: M6076 - Princess Seamed Shirt - Pattern Work

I cut out the muslin for this princess-seamed shirt a while back. It's the same pattern, M6076, I first started using to create my sleeveless Western Winds shirt back in the early fall. Now I'm continuing to create a sleeved version. This pattern has multiple princess-seamed options (a princess-seam can end up in different spots on the garment) and lots and lots of instruction sheet ideas for getting a good fit. A really good basic pattern.

I'm not instruction sheet oriented - so I have a tendency to forget about stay-stiching! And then I wonder why the sleeve stretches out of shape when I go to set it in! Same deal with other curved seam areas. And it's particularly important when I'm creating a muslin/toile - because this is the time for getting the seams to come together right .

Set in Sleeve test - the outer line is stay-stitching (regular stitch line).
The inner line is a basting stitch for easing or setting the sleeve cap into the
armscye (the curved opening in the bodice)

I added two tucks in the front of the sleeve cap, because after I measured the alterations to the bodice (the armscye line), 

I found that there was too much sleeve cap. I want only about 3/4" more in the sleeve cap, than in the armscye. Also I took note

as to the center of the sleeve - so I only altered the front, the back looks like it has about the right amount of extra.

I must admit, this is not exciting sewing. In the past I always just went ahead and sewed up a pattern and hoped for the best. But I've learned the value of a well fitting pattern. It means I'll get this one pattern working for me - and then I can just zip through future versions, knowing they'll look and fit great and I'll reach into the armoire for them again and again.

I added a one inch seam allowance for fitting a muslin/toile.
Learned this from Lynda Maynard.
I used a double Clover tracing wheel for this - it has two heads.

Ench By Sew-32: Parlez Vous French Pattern Drafting?

The May Enchanted By Sewing, Episode 32 Audio Show is Up ! 

Listening Option 1: Download from iTunes
Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

Listening Option 2: Direct Download/Listen on the Web

http://traffic.libsyn.com/enchantedbysewing/CastFINALParlezVousFrenchPatternDrafting.mp3

I first signed up for Lynda Maynards' French Pattern Drafting Class to help me improve my fit and alteration of commercial patterns and was surprised to find that Lynda's class opened my eyes to the idea of drafting my own patterns - an aspect of sewing I’d never expected I’d get involved with, and frankly considered beyond my skills.

Studying with a teacher like Lynda and being inspired to try new things – that’s the kind of thing that keeps me, enchanted by sewing!

1) Pensamientos Primeros – The Art of French Pattern Drafting

My Pattern Work Postings

Early Days in Pattern Drafting Class - Includes Kenneth King Link http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

More from Class http://meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html 
and

http://meencantacoser.blogspot.com/2015/03/fitting-in-sleeve-sloper-pattern-work.html

 Using My Sloper and Moulage to Draft Patterns

http://meencantacoser.blogspot.com/2015/04/pattern-workparlez-vous-tee-shirt.html

http://meencantacoser.blogspot.com/2015/04/damson-plumm-private-eye-nibbled-that.html

     Parlez Vous Flared Skirt? http://meencantacoser.blogspot.com/2015/04/pattern-work-parlez-vous-flared-skirt.html
 

Pattern Work on Pinterest:Links to many pattern drafting and design resources  https://www.pinterest.com/lrshimer/0-sewing-pattern-work/

2) Technicos  - On Wearing Ease Going from a Moulage to a Sloper and Back Again

http://meencantacoser.blogspot.com/2015/05/parlez-vous-wearing-ease-moulage-to.html

3) Pensamientos Finales – My sloper...A garment for any occasion?
 

FLARED Skirt - Parlez Vous French Pattern Drafting? Moulage Class Pay Off

   
The second of three skirt drafts, I leaned about in the French Pattern Drafting/Moulage class I took from Lynda Maynard.

To create a flared skirt from a sloper. This example shows a back sloper. The changes are the same for both front and back.

* A - In the beginning, it's like what we did drafting the straight skirt * 

 First, trace a new copy of each sloper piece, back and front,  on your pattern paper of choice.

Second, Cut away above* the Waist Balance Line

*Leave some seam allowance above that waist balance line. You may want to face the skirt waist or you may want to add a waistband. Better to leave a little extra for now....

Third, Extend down 26"** from the Waist Balance Line at Center Front 

** 26" was suggested by Lynda, maybe a longer or shorter length works for you. Play around with your muslin version. I measured a knee length skirt I made last summer, and this length was about right for me. 

* B - Now... the pattern changes from what we did for the straight skirt *

Fourth,  
i. Cut down one of the dart legs (red dots)
ii. Cut UP from the hemline to just below where you cut the dart leg, leaving a hinge point there

 

                                                                          

Fifth,  Move the cut dart leg over beneath or on top of the other dart leg. This opens up an area in the skirt. You may choose to leave a bit of the dart in place, if you want less of a flare. Tape your dart legs together.

 Sixth, i. Cut a piece of tissue that would fill in behind the newly opened part of the skirt pattern with paper. This is the insertion. Then add another 1/4" to the insertion.

ii. Create an extension that is the same size as the original insertion.  Tape your insertion and extension onto the back of your pattern.

Seventh - Make a nice new pattern piece with no tape. You may want to go ahead and add seam allowances to the new pattern. Since I draft my patterns from my sloper, it doesn't have seam allowances already. A 1" seam allowance is great, the first time you draft a pattern. It gives you a lot of wiggle room. 

Don't forget to date your new pattern pieces. You'll be glad you did.

Damson Plumm Private Eye - Nibbled That Tee

Damson Plumm Private Eye is, as you might imagine, inspired by bounty hunter Stephanie Plum

Remember when I blogged about Lynda Maynard's French Pattern Drafting class starting to pay off? Yes, I am indeed mighty happy with this plum purple tee shirt I created from a pattern I drafted myself. It was based on nibbling away at  the moulage fitting pattern that came out of Lynda's class. I also really like the royal plum-purple rib knit that I used to make the tee. Can you believe I found this material in my fabric inventory? ( Fabric inventory sounds so much better than fabric stash.)

What did I learn while creating this tee? 1) Don't fit the front and back first and then add the sleeve. I thought this top fit so perfectly, after mocking up just the front and back, that I sewed over the basting stitches in the side seams and then went on to
a) Redraft the sleeve pattern- making it much narrower
b) Cut out the reduced size sleeve
c) Sew those nice narrow sleeves in.

Uh oh....Taking in those side seams would have been fine, if I'd wanted a sleeveless tee, but I didn't.

Hardy har har - you should have seen my arms looking like sausages, unable to move. And we all know how fun it is to pick stitches out of knit fabric!
2) So, good thing, I had already learned to  ... cut super wide seam allowances when I'm playing with new patterns I draft myself. Thank goodness I had made my seam allowances 1 and 1/4 inches wide. I wouldn't have had enough fabric to rework the underarm seams on my sleeves otherwise- because of course I'd redrafted the sleeve to be so much narrower, after I'd fitted the front and back together, taking in the side seam allowances by quite a lot (smaller than the original moulage indicated).
3) Even though I wasn't in the mood, I measured all the changes I made on this tee and prepped a complete new pattern, all ready to try out on another tee project. Because another thing I've learned is that I don't always remember what changes I made, and I can't always find the last garment I made from a pattern when I go to use it.

  ~ ~ ~

Damson Plum is, as you might imagine, inspired by bounty hunter Stephanie Plum. Stephanie is younger than me, even funnier than me and has a grandmother who drives a hard-working gal crazy, but I still identify with her.

Damson Plumm Private Eye is inspired by bounty hunter Stephanie Plum.

Way back when, I created a Damson Plumm Private Eye label for my home made plum jam (using my home grown damson plums). And now, thanks to my new pattern drafting skills, I've drafted the pattern for, and sewn, my own Damson Plum Private Eye tee shirt. I'm sure it's the plum-purple that Damson always wears, that helps her crack those tough cases.

STRAIGHT SKIRT: Parlez Vous French Pattern Drafting - Moulage Class Pay Off

                                                                
The first of three skirt drafts, I leaned about in the French Pattern Drafting/Moulage class I took from Lynda Maynard.

To create a straight skirt from a sloper. This example shows a back sloper. The changes are the same for both front and back.

First, trace a new copy of each sloper piece, back and front,  on your pattern paper of choice.

Second, Cut away above* the Waist Balance Line

*Leave some seam allowance above that waist balance line. You may want to face the skirt waist or you may want to add a waistband. Better to leave a little extra for now....

Third, Extend down 26"** from the Waist Balance Line at Center Front 

** 26" was suggested by Lynda, maybe a longer or shorter length works for you. Play around with your muslin version. I measured a knee length skirt I made last summer, and this length was about right for me.

Fourth, Extend out 3/4 of an inch from the side seam at the hem

And Finally grade back up from the extended hem to the full hem balance line. If you (instead) draw the side seam straight, the skirt will read as a pegged skirt and not a straight skirt line.

Pattern Work:Parlez Vous Tee Shirt? French Pattern Drafting Class Begins to Pay Off

Moulage Pattern - a fitted tee, Sloper - looser fit

I have  created a moulage, sloper and sloper sleeve patterns in Lynda Maynards "The Art of French Pattern Drafting" class at Cañada College.

Now all my time and effort look like they are beginning to pay off. Using my moulage pattern, I've begun work on a  pattern for a fitted tee shirt. This tee will be no-dart. We've learned to do that by the 'nibble-away' process. Here is an example of a classmates moulage back being nibbled away. Had she used her sloper pattern the tee shirt would have included more wearing ease, and been a little bit looser. 

The red nibble-away lines show where the fish eye and shoulder dart take-up is being removed from the far edge. In the case of the fish eye dart, you can see that the take-up is removed from the side seam. This creates a pattern that reflects the shape of the curves that a dart, necessary in wovens but not in a knit fabric.

I'm looking forward to showing off my first tee test garment, hoping to have the basic construction (without neckline band) done in time for class this coming week. Yes, I already have plans for several more!

                                                                          

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

~ ~ ~

It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

   ]

French Pattern Drafting/Moulage: First Muslin Test of Back and Front Blocks

  
I detailed what I'm learning about  in my Moulage/French Pattern Drafting class with Lynda, in this post http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

I added a sort of modesty skirt below the full hip line
Other ladies wore leggings or just winged it in their
intimate garments

This week....I zipped myself carefully into the muslin test I created from my back and front blocks, for Moulage class. Uh oh, I sewed the zipper inside out! I thought Lynda Maynard wanted our seams and darts on the outside.

Guess who wasn't listening properly in class last time?

A buddy in class managed to get the zipper tab up for me.

Not too many changes, but I still need to make those few, and make a new muslin for next week. I'm in good company though. I think there were only one or two people who didn't need Lynda to tweak theirs.

How about those lips?
I had the goofiest look on my face
I kind of like these lips I borrowed!

Drafting my Back Block - Learning Pattern Work with Moulage/French Pattern Drafting

Version 1 of my Back Pattern Block Draft

I'm taking Lynda Maynard's Moulage class at Cañada College. Moulage is the traditional style of pattern drafting used in France. Lynda studied pattern drafting, among other things, with Kenneth King. We're using a printed version of Kenneth King's Moulage book. 

On the web I can only find Kenneth King's Moulage Book on CD http://www.kennethdking.com/book/#moulage

   

We'll be creating a skin-tight, fitted moulage and then a sloper - a moulage that includes minimal wearing ease. We'll also be drafting sleeve patterns/slopers to work with these. My sewing buddy Susan and I, are very excited about those sleeves! Susan was featured in last month's Enchanted By Sewing Audio/Podcast - A Very Fitting Sewing Day With Susan

We've begun by drafting our back pattern blocks.

To get to this point, we followed Kenneth King's/Lynda's directions. Those included:

1) Taking careful measurements of, and recording, many dimensions of our bodies - front and back. I think there are about 20 measurements between our neck to the floor, with most of them centering around the torso. This is not something you can do for yourself. You need at least one buddy. It reminded me of the measurements we took when we made our dress form kits. (I produced a podcast about creating Dress Forms)

2) Using these measurements in a number of formulas, to create a sheet of calculations. Again we made a careful record. It was definitely worth my time to triple-check that I had
a) transferred the right measurement into the formula
b) done the math correctly
We rounded up all of our math to the nearest 1/8'th of an inch. 1/8'th of an inch is the smallest measurement on most rulers.
The book includes metric directions as well.

3) Next we followed  Kenneth King's/Lynda's directions to draft the back block you see here, using the calculations. Once more I'm went back and triple-checked, to be sure I was using the correct calculations in my draft.

Lynda reviewed our work not only for correctness, but also to make adjustments for various figure types. She adjusted the line in many of our shoulder drafts down at an angle. I'd guess that you might see the need for this later on in the process, if you're doing this work on your own.

Next we'll be drafting our front block.

After that, we'll work up a version in muslin.

This is one of those processes that takes a lot more time than I'd expect, but it's going to be well worth it for me.

My goals for the class are:

A) To make a new fit garment for my dress form, Conchita. I'll also be removing some of Conchita's padding and batting, to fill out that fit garment correctly. Gosh, wouldn't it be great if it were that straightforward for people to lose weight?

B) To create clear plastic transparencies I can use when altering commercial patterns. Lynda says the material she uses for this is from Tap Plastics ( Tap  Plastics:
24 1/2"  by  45"  by  .020  smooth/matte  polypropylene  sheet  SKU#20346)

C) Down the road... I might use these block in some way, in conjunction with draping my own patterns

Learning more about what makes patterns come together is the kind of thing that keeps me . . .

Enchanted by Sewing!

~ ~ ~

My Buddy Susan and I share what we've each learned about getting a good fit with our sewing patterns. In Last month's Enchanted By Sewing Audio/Podcast  Susan described key things she learned from sewing fit classes (Also we had a lot of fun chatting) A Very Fitting Sewing Day With Susan (Download or just listen on Line) http://enchantedbysewing.blogspot.com/2015/01/ench-by-sew-028-very-fitting-sewing-day.html

Enchanted By Sewing Audio/Podcast - Dress Forms (Download or just listen on Line) 
http://enchantedbysewing.blogspot.com/2013/09/ench-by-sew-12-dress-forms.html

Ench By Sew-019 Boning Up on Bustiers: Part 2

I'm looking forward to airing a photo
of my actual denim bustier here!
Though I've enjoyed wearing it in public,
I haven't
gotten any cute photographs yet.
Bet you know how that is...

Hey! 
The latest Enchanted by Sewing Podcast has been published!

Two Ways to Listen
Option I)You can listen to the show right on the web by clicking on this link 

~ OR ~
Option ii)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes
Did I miss any links mentioned in the show? If so, please post here and let me know, or else email me EnchantedBySewing AT gmail DOT com
~ ~ ~

A bustier is an alluring garment, one many women would like to wear - if they dare. When I began to notice that women of all shapes, sizes and ages sewed and wore their bustiers with pleasure and pride, I decided to take a chance and learn to sew this very structured garment, that can be designed to flatter a wide variety of figure types.

- In last month show, I talked about what a buster is - a strapless garment that conforms to our figure, is  supported from the waistline , and can be worn by women of many figure types. 

- I also said that a bustier is not a corset, because a corset imposes a shape on our figure.  You can follow links in last months’ show notes to other related garments like corsolette, torsolette or basque.   

-       Last month I talked about Cut and Cloth

-       This month I focus on Construction

- FIRST  Pensamientos Primero A brief review of what I talked about last month to put this show into perspective,

- ENTONCES (THEN)  Constructing my Bustier. 

- Stepping through the process of creating my bustier from beginning to end, touching on   important techniques and other sewing stuff that I figured out along the way .

- FINALLY Pensimentos Finales:  Going Beyond this project 

Errata: I actually use ChacoPy marking paper. I said it wrong in the podcast 

~ ~ ~

Web Resources

Part 1: Boning Up on Bustiers http://enchantedbysewing.blogspot.com/2014/03/ench-by-sew-018-boning-up-on-bustiers.html

The Bustier Sewing Class I talked about is from Lynda Maynard, an instructor at Cañada College, San Francisco City College and also an instructor at Craftsy.
https://www.youtube.com/watch?v=YEb9bypLWqE

Lynda Maynard's “Fit” Class on Craftsy, which I plan to take.
http://www.craftsy.com/class/sew-the-perfect-fit/173

Bustier Technicos - Dem Bones Gonna Walk Around

Sewing Boning Channels and Inserting the Bones

http://www.meencantacoser.blogspot.com/2014/03/technicos-bustier-dem-bones.html

Seams to Fit Part 1 - A Little Less Laxity - Learning Precision

http://www.meencantacoser.blogspot.com/2014/04/seams-to-fit-little-less-laxity.html

Seams to Fit Part 2 - 

Figuring out how to eliminate using a tracing wheel, has me making a stronger mark that is also less likely to damage my pattern or fabric.

http://www.meencantacoser.blogspot.com/2014/04/seams-to-fit-part-2-making-my-mark.html

Seams to Fit Part 3: More Power to Interlining- Using  stitching marks on my interlining pieces to define the stitching lines on the fashion fabric it's backing. 

http://www.meencantacoser.blogspot.com/2014/04/seams-to-fit-part-3-more-power-to.html

Seams to Fit Part4: - Neat as a Pin - Using pin techniques to join sections of my bustier precisely.

http://www.meencantacoser.blogspot.com/2014/04/seams-to-fit-part-4-neat-as-pin.html

Seams to Fit Part5:  - Staying - When a Seam Knows it's Place 

http://www.meencantacoser.blogspot.com/2014/04/seams-to-fit-part-5-good-weft-stay-when.html

I did a lot of hand sewing towards the end of this project. Beeswax is my thread texturizer of choice, and it's a Green option too!

http://www.meencantacoser.blogspot.com/2014/04/minding-my-own-beeswax-hand-sewing.html

Refer back to Last Month's Show for More Links http://enchantedbysewing.blogspot.com/2014/03/ench-by-sew-018-boning-up-on-bustiers.html

Ench By Sew-018 Boning Up on Bustiers: Part 1

I printed a bunch of this image
on postcard stock to make
bookmark/luggage tags I
slipped in big bags and pattern bags
associated with this project

Hey! 
The latest Enchanted by Sewing Podcast has been published!

Two Ways to Listen
Option I)You can listen to the show right on the web by clicking on this link 

~ OR ~
Option ii)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes
Did I miss any links mentioned in the show? If so, please post here and let me know, or else email me EnchantedBySewing AT gmail DOT com
~ ~ ~

A bustier is an alluring garment, one many women would like to wear - if they dare. When I began to notice that women of all shapes, sizes and ages sewed and wore their bustiers with pleasure and pride, I decided to take a chance and learn to sew this very structured garment, that can be designed to flatter a wide variety of figure types.

- FIRST What is a bustier? It's not a corset, for one thing.

http://meencantacoser.blogspot.com/2014/01/bustiers-not-corset-plus-free-printable.html

http://en.wikipedia.org/wiki/Bustier

http://en.wikipedia.org/wiki/Basque_(clothing)
 • A soft torsolette is a bandeau
• A long torsolette is a corselette

   Class I’m taking is from Lynda Maynard, an instructor at Cañada College, San Francisco City College and also an instructor at Craftsy.
https://www.youtube.com/watch?v=YEb9bypLWqE

Lynda’s “Fit” Class on Craftsy, which I plan to take.
http://www.craftsy.com/class/sew-the-perfect-fit/173

This posting I wrote for Me Encanta Coser, includes a number of links to
other bustier posts I wrote about this project, in the Web Resources section
http://www.meencantacoser.blogspot.com/2014/02/bustiers-excuse-me-arent-those-your.html

- NEXT Pensimientos Primero:  Who might wear a bustier? Who do I want to create one?
- ENTONCES/THEN Where I am,  in the process of creating one. How long it’s taking me
-
- FOLLOWED BY Technicos: Cut, Cloth, Construction

o CUT Pattern Selection and Alteration
• Simplicity 5006 http://www.meencantacoser.blogspot.com/2014/01/bustier-class-pattern.html
• Can’t skip the muslin stage
• Fit  No 1 the pattern
• The squish factor – add one inch, ¼ inch up from waistline to new pattern
• New paper I’ve found  for pattern paper – not tissue now but artists tracing paper. Mostly Transparant .
          Not Tissue. Kind of like waxed paper. I use it with a soft lead pencil (#1?) – also an artist supply.
• Staedtler Artists/Draftsperson’s Sketch Paper Rolls,
    Also found a brand by Bee

 o Cloth – 4 kinds of fabric, some choices – definite types, NO WOVENS
 o http://en.wikipedia.org/wiki/Coutil

• Review warp and weft
• Why warp and weft are especially important for Bustiers
• Stay stich – Why not just skip it?
• The layers
• What each layer is
• Why certain fabrics are important
coutil/coutille
Use all WOVEN NO KNITS

1) Lining (bottom layer) must be super soft on your skin comfortable. You don't wear with an undergarment
My Lining is vintage Liberty of London Tana Lawn http://www.meencantacoser.blogspot.com/2014/02/bustiers-excuse-me-arent-those-your.html
I love Tana Lawn so much, I have a Pinterest Board just for that ! http://www.pinterest.com/lrshimer/gorgeous-fabric-liberty-of-london/

Lynda Maynard likes silk charmeuse for lining bustiers

2) Coutil provides support for boning
• Where to buy coutil

o Richard the Thread - Mail Order. Our fabric came really fast
Rumors - Minimum order 5 yards? Will they sell you less if you call?
o Brittex - Field Trip To Brittext http://meencantacoser.blogspot.com/2013/05/sir-douglas-of-brittex-san-francisco.html
o Lacis -  Field Trip to Lacis http://meencantacoser.blogspot.com/2014/03/field-trip-lacis-field-berkley-ca.html

3) 100% cotton flannel protects against bones pushing through to top layer
4) Fashion Fabric (top layer). What people see. Denim for me! Duchesses Satin?
Silk Dupioni? Men's Wear Woolen? Find the perfect fabric.

One of these images I"ve pinned on Pinterest may give you ideas for that perfect fabric
http://www.pinterest.com/lrshimer/sewingbustiersinspiration/

o Construction
Dem Bones Gonna Walk Around - Focus on Boning
Thanks to my study partner "Dave" for providing the music :-)
NEXT MONTH I will summarize construction more

o PENSAMIENTOS FINALES/FINAL THOUGHTS
- Completion and goal setting tie in with other non-sewing projects
- Less temptation to stray :-)
- The Cottage Tales of Beatrix Potter  by Susan Wittig Albert
http://www.cottagetales.com/index.shtml
"Many a little makes a mickle, many a mickle makes a mile"