Border Terrier Hand Embroidery - How Shalll I use it?

My Border Terrier - one of my practice mini-projects on my trip

What do you think I should use this little embroidery motif for? I haven't decided yet. A pocket maybe? It could go on the outside of a tote bag or be added to an existing shirt. I could even stitch it, as a patch, onto a pair of jeans - like we used to back in the 60's and 70's. Do you have any other ideas?

In my June Enchanted by Sewing podcast, I mentioned that while on vacation in the United Kingdom for two and a half weeks,  I kept my sewing hand in by practicing hand embroidery stitches, using the smallest hoop I could find. It didn't take much room in my luggage and I took a great guide book -Embroidered & Embellished: 85 Stitches Using Thread, Floss, Ribbon, Beads & More • Step-by-Step Visual Guide -  along as a Kindle iBook on my iPad.

(You can also buy  Embroidered & Embellished: 85 Stitches Using Thread, Floss, Ribbon, Beads & More Step-by-Step Visual Guide in regular book format)

In my June Enchanted by Sewing podcast  I mentioned that dogs are a big travel theme for me. I pet every dog I get the chance to visit with. Not only do both pooch and I get a lot of pleasure from the interaction, it's a great way to chat casually with people around me. No tourist pressure - people can either talk or not. I had several quite long talks with dog owners on the trip.

I took along this piece of recycled linen (it used to be a pair of pants I got a lot of wear out of) for practicing my stitches. Here I was practicing a split stitch. What better design could I choose than a dog?  I bought a soft lead pencil for less than a pound in a stationary store, then drew the design by looking at a photo on my iPhone. I tested my drawing out on a piece of scratch paper a couple of times to build my confidence, then started trying it on the linen. I did a little redrawing around the nose, but it wasn't really that all hard to look at the lines in the photo and get what I wanted. The pencil washed out fine after I got home. I just ran it under a little cold water in the sink and rubbed in some hand soap.

The photo was of a  darling Border Terrier I encountered in one of many parks we visited. I saw a number of Border Terriers in the Lake District, where we walked. You may know that the Lake District is close to the border between the Lake District and Scotland, so it's the origin of this darling breed. I'm not really a breed person - frankly I'm happy with whatever mixture of pooch comes to live with me, but it's fun learning about where different breeds come from. Like me, many pups have ancestors that come from different places.

Practicing hand embroidery, something I hadn't done in years - since I got a machine capable of emboridery - is just the kind of travel activity that keeps me . . .

Enchanted By Sewing!

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 Resources
                                                                                                                                                                                                              

Enchanted By Sewing Audio Podcast: Back In Town- A combination of a field trip report and sewing reflections http://www.enchantedbysewing.blogspot.com/2015/06/ench-by-sew-33back-in-town.html

                                                 

Romancing the Dress - Periwinkle Blue Anjelica Cotton Knit Cutie

Laurel in Anjelica at San Francisco Legion of Honor

Did You Make That? 

Yep!

I 'm pretty pleased with this new periwinkle blue cotton knit dress I sewed, using one of the many  patterns included in my recently purchased  Famous Frocks: The Little Black Dress: Patterns for 20 Garments Inspired by Fashion Icons. I'm pretty cautious about buying books with included patterns (what if I only like one?) , but I find the entire book very inspirational, and I'm envisioning sewing several of the other dresses.

This romantically styled frock is the "Anjelica Jolie" dress. I used the darts and no-sleeve styling from the top variation, and the straight of grain and cotton knit from the dress version. I tried wearing a narrow belt at the true waist, but it looked awful on me - it just didn't suit my H-shaped figure. Also I think, maybe, it's too blousy at the top to suit a woman with more bust if it's belted too low. Emphasizing the bosom with a wide belt worn just below the bust line looks better. Sometimes I just have to try every belt and waistline in my wardrobe to get it right. This is the belt I created for my peaches and cream shirtwaist dress. It's 3 inch wide black elastic with a simple slider no-tongue belt buckle.

I felt very Cinderlla-ish wearing this dress to the San Francisco Legion of Honor museum this last week, especially since I was going to see a fashion exhibit, High Style, The Broklyn Museum Costume Collection. I got a nice compliment from the young woman who rented the audio head set. She liked it that I had dressed up for the exhibit. I enjoyed that being dressed up feeling, and I was really comfortable too. I'm thinking this light frock will be nice for travel, what do you think?

Yes, this book is inspiring me to make more. I've already begun making a muslin for the princess-seamed Princess Diana sheath dress and I have my eyes on the Grace Kelly dress, based on one she wore, and I loved, in the classic Alfred Hitchcock movie, Rear Window. Do you remember the scene towards the end, where Lisa (Grace) hides her Vogue magazine inside a very studious looking hardback book to fake Jimmy Stewart into thinking she's getting serious about important issues?

If I sew each of these, that's three patterns. I interested in trying the variations on them as well - some of which aren't typical of what you'd find in a pattern envelope. I'm going to try the top variation for this Anjelica pattern (in a woven) as well. I'm attracted to a couple of the other patterns, particularly the Coco Channel jersey dress, in the sleeveless variation. My guess is that I'll be sewing at least half the patterns in the book, if not more.

One thing I found great about using patterns from this book,versus buying an individual pattern, is that there  is an extensive part of the book that covers sewing techniques. These are different than just following directions from a pattern instruction sheet, because they help me to better develop my overall sewing skills, and I'm not blindly following steps that I might not understand. Once I've used two or three of these patterns, the cost of the book compares favorably with the purchase of the same number of pattern (even with pattern discounts), and the educational sewing skill-building advantage makes it worth more to me, than buying those individual patterns.

                               

Draping Lucy - Terminado! New Dress and back to Rec Sewing

Lucy is the first garment I've
created  from a pattern I
made entirely myself, on my
custom dress form.

I haven't done any regular, recreational sewing all semester (one semester = 16 weeks) because I've been focused on the class work and final projects for my two fashion classes at Cañada College. The first class was Pants Drafting, taught by Lynda Maynard (that's the woman who knows what we really want to sew, and teaches us how to do it!).   In that class, I used drafting techniques,  and many fitting followups, to produce inumerable muslin garments, tissue pattern drafts, and my first pair of jeans. Can't wait to use that pattern again and again!

My second class was Draping. This class is excellently taught by Judy Jackson. Again I went through a lot of muslin, this time learning to design my own patterns by draping them in muslin fabric on a dress form, then creating tissue patterns from those draped garments. You may have seen some of my posts this fall that showed off some of the basic garment shapes I created on a standard sized 10 dress form (I called her Babs, a name that seemed appropriate for a mannequin who came to life in the early '60's). I also began draping on my own custom dress form that I created over the summer. 

When I last talked about my custom dress form I was calling her Colette, but I've since realized that she is really a Conchita. 
I found working with Conchita even more challenging than working with Babs, and Babs wasn't an easy customer. Was it because Conchita represented clothing I actually plan to wear? I'm not sure yet. But if I figure it out, I'll let you know!

Starting around midterm time, I spent several weeks creating a muslin sloper (a fitted bodice and fitted straight skirt) for Conchita. For some reason I found this very challenging, though I had produced the same garments for Babs. My teacher seemed to think that there should be the same amount of challenge, if only I was careful with my measuring. I worked very hard to be exact but all I can say is that it was much harder for me and just took a lot of time, muslin, tissue and patience.

Another view of Lucy

As you can see, I moved on from my sloper to make my first garment. I had originally planned to make a traditional shoulder-yoked, dropped shoulder, shirtwaist dress with a collar and front button plackets. I was of two minds as to whether the dress would have a separate skirt joined by a waistline seam or be a one piece dress. I was planning to use a beautiful piece of deep forest green silk noil (raw silk) that I have for that dress. In my mind the dress I was planning to drape was named Ivy. I'm still planning to take up with Ivy in the not to distant future. But I got distracted by Lucy....

I'll be writing more about the process of draping Lucy in upcoming postings in this journal. One thing I know I'll be reflecting on repeatedly, is learning to read the fashion fabric's story. This lesson came from my experiences in both my pattern-creation classes this semester. In both cases I saw that constructing beautiful garments is not just about designing a piece in my mind or on a sketch pad. It really comes down to watching the behavior of the fabric I've chosen to sew with, after it's cut out and initially put together on me or my custom dress form. Creating a muslin test garment is an important part of the pattern making process, but once I start the ball rolling with muslin, I then really have to listen to the story the actual material for that garment is telling me. That's what is going to guide me to bring the garment I'm sewing to life.

Learning to listen to, and read the fabric's story really keeps me

Enchanted by Sewing

~ ~ ~ 

Resources

You can drape on a person or on a dress form. When creating for ourselves, it's easiest to use the dress form approach!

In the September Enchanted by Sewing Audio Podcast Dress Forms Episode, I described my experiences creating two different dress forms. You can listen to this talk either online on the web, or you can download the show to your mobile device (like an iPhone, Android, etc.)
http://www.enchantedbysewing.blogspot.com/2013/09/ench-by-sew-12-dress-forms.html

I'm just beginning to learn the historic and modern art of draping. It's a very artistic experience !  I've begun to develop my skill set in a class taught through the Cañada College Fashion Department. I'll be continuing my draping journey by continuing to follow the richly illustrated draping tutorials and examples in our class textbook, The Art of Fashion Draping. This excellent, and highly regarded book, by Connie Amaden-Crawford has been in use for decades. both within the industry, and by home sewists. 

Thanks Sponsors! 
When you buy products through links in this blog, you support the regular work of this blog and The Enchanted by Sewing Podcast.

Waistlines: Designing Without - The No-Waistline Look

This gorgeous no-waistline frock is from the

 Dolce & Gabbana Fall/Winter 2014 Collection

This month I'm musing on the different waistline levels I select to sew.

The no-waistline look in this Dolce & Gabbana dress, sets off the gorgeous fabric* the designer used. No sewist would want to cut through this print!

When we choose a waistline style - or lack of one - by selecting a pattern, designing a flat pattern, or designing by draping our own pattern, we are choosing where the garment, or a part of the garment, hangs from on the body for which we are sewing. 

In this case, where there is no waistline, the garment hangs from the shoulders. The folds of this garment drape from the high bust point. If the model were more curvaceous in that area, the folds could hang differently, and the way that the print is displayed might be different too. 

We drape material on human-shaped dress forms, to see how different body types affect the fall - or drape- of a particular piece of fabric. We also look at how the material's textures and prints will hang on a similarly shaped human form.

~ ~ ~

Resources

I'm just beginning to learn the historic and modern art of draping. It's a very artistic experience !  I've begun to develop my skill set in a class taught through the Cañada College Fashion Department. I'll be continuing my draping journey by continuing to follow the richly illustrated draping tutorials and examples in our class textbook, The Art of Fashion Draping. This excellent, and highly regarded book, by Connie Amaden-Crawford has been in use for decades. both within the industry, and by home sewists. 

Thanks Sponsors! 
When you buy products through links in this blog, you support the regular work of this blog and The Enchanted by Sewing Podcast.

Fabric Notes

* The print in the Dolce & Gabbana frock above is quite reminiscent of one of the Alexander McQueen fashions I talked about in the fashion gallery audio podcast tour I shared from the Victoria and Albert (V&A) Museum in London last summer. In that tour, I give catalog information, so that listeners can use links from the show notes to look up further museum cataloging information about, and find images of, garments that were mentioned during that tour. 

For links to the V&A collections database, follow the show notes link at http://enchantedbysewing.blogspot.com/2013/07/ench-by-sew-010-v-fashion-gallery-tour.html

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You May Also Like 

Waistlines:  What's Natural? (Haiku)
http://meencantacoser.blogspot.com/2013/11/waistlines-whats-natural-haiku.html

Enchanted By Sewing Audio Podcast: Dress Forms http://www.enchantedbysewing.blogspot.com/2013/09/ench-by-sew-12-dress-forms.html

My Virtual Bulletin Boards on Pinterest

Draping Inspiration Images and Articles - http://www.pinterest.com/lrshimer/draping-inspiration/

Dress Forms Articles, Arty, Make Your Own, Etc - http://www.pinterest.com/lrshimer/dress-forms/

I have several other sewing related Pinterest boards - http://www.pinterest.com/lrshimer/boards/

Jeans Sewing: Drafting a Basic Pants Pattern

Learning to create the pattern  for my first pair of jeans, certainly has me
Enchanted by Sewing!

1) Summary - What I've learned
2) History
3) Resources

~ ~ ~

1) Summary - What I've Learned

* Have now drafted my Basic Pants Pattern
* Jeans Pattern will be a variation on the Basic Pants Pattern
* A lot of time!
* Basics - Used charts in book (see Resources below) to draft a basic pants block. Created first pass at pattern from that block. 
* A double tracing wheel-  carbon paper to fabric tracer tool - (like Clover Double Tracing Wheel) was very useful for adding a 1 inch seam allowance to the original pants block. The reason I couldn't make that work before - lousy carbon paper from local store. Clover Chacopy transfer paper works much better. I bought both on the web.

I continue to use these time saving, transfer, seam allowance adding, tools on each iteration of the pattern.

* Alteration Time - Time is the key word here. I continue to spend a lot of it on this project
* Alter muslin, alter pattern, study results with fit buddy or in the mirror (for the front anyway). Repeat these steps until done.
* Fit buddy eyes me and suggests alterations
* Studying typical alterations is very useful - even those that don't sound like my fit issues help me to think through those I need to make
* Not all alterations are standard. Studying them helps me to develop my eye, and use my own senses about what needs to change in each pattern and muslin draft
* Mirror is essential. I used masking tape on fit lines, so I could see them better in the mirror when I was working on my own between classes (this really only works when altering the front!). My teacher thinks masking tape drags down the muslin. In order to keep going on the project, I needed that masking tape!
* Straight of Grain (SOG) is essential, as well as perpendicular fit lines. When I make changes, I need to relate back to the original pattern and these lines provide those relative points.
* Drawing fit lines is essential - waist, upper hip, lower hip, crotch, thigh, knee, calf. They need to be dark enough to see them in the mirror when I try on the current muslin
* Fit lines below the crotch need to stay parallel with the floor!
* Watch that straight of grain!
* In the curvy parts of the body, fit lines and SOG will curve. That makes sense, when I think about it.
* Thread basting fit lines takes longer. I like using a dark pen that shows through both sides of the muslin better
* Staystitch the waist line. Use narrow elastic to tie muslin pants on at the waist. Leave open at front (where zipper would go) but draw on stitching lines and pin on there when trying on.
* This process takes a lot of muslin. When I try to conserve muslin, sometimes it just adds a lot more time

~ ~ ~

2) History

I've blogged/journaled many times about my determination to learn to sew jeans. In the summer I began this journey by working on jeans sewing techniques, but without the jeans! That is, I first sewed a jeans-style denim skirt. 

I had found myself intimidated by the many different, and new-to-me, skills involved in sewing jeans. When I sorted through what was keeping me from getting going, I realized that getting the fit right on a jeans pattern was a biggie, so I put that off and focused on materials and techniques - though I found fitting that skirt in heavy weight denim - versus the twill I'd used to test out the pattern - to be more work than I'd expected. I'm currently at work on the October Enchanted by Sewing Podcast, which will be an audio show about my experiences working on the jeans-style sewing skirt project. You can signup to be notified (no spam!) when monthly podcast episodes are released by visiting the show notes for the  Enchanted by Sewing Podcast.

This fall, I've begun working towards my first pair of actual jeans

I'm taking a pants drafting class in order to get a pattern that fits me. Alternatively, I could have worked on altering a commercial jeans pattern. There are several recommendations for jeans patterns others have tried, in the Pattern Review forum Make Your Own Jeans, You Can Do It! Several of those patterns, have detailed instructions about fitting the patterns to your figure type, as well as  many more sizes than are typical in Big-4 patterns.

I haven't ruled out using a commercial jeans pattern for a future jeans project (in fact I bought a couple when I was first considering taking this learning project on), but since I am a student in the Cañada Fashion Program, why not learn something about pattern drafting and fit in a classroom environment?

~ ~ ~

3) Resources

* Jeans Sewing: Skirting the Issue - Terminado!/Done! 

This blog/journal post summarizes the work I did to create my jeans-style denim skirt. This project got me started on the path to jeans sewing.

http://meencantacoser.blogspot.com/2013/09/jeans-sewing-skirting-issue.html

* The Enchanted by Sewing Podcast is an extension of this blog. It's a monthly Audio Show where I focus on sewing specific garment styles and interview other sewists. You can either listen right on the web (while you sew maybe!) or download it to a mobile device like an iPhone, Android or other mp3 player. http://www.enchantedbysewing.blogspot.com

* In pants drafting class, we're using the book Building Patterns, The Architecture of Women's Clothing by Suzy Furrer.

* Pattern Review: Make Your Own Jeans - You Can Do It!
http://sewing.patternreview.com/blog?s=1431483

Ench By Sew-11 Fashion Engineering for Work and Play (Interview)

This month, the Enchanted by Sewing Podcast returns from a London vacation, to it's California Roots

~ ~ ~

Following up on last month's podcast, the tour of the V&A Fashion Gallery Miss Firbank's Pink Linen Cuff  and Elsa Schiaparelli's Roses Get Me Dreaming ... two recent Vintage Threads postings in my regular blog

~ ~ ~

Please send your thoughts about this month or next month's topic - Dress Forms-in the Post a Comment section,  below :-)

Early on in the show Susan and Laurel talk about Susan's
creation of this wonderful snake skirt using patterns and
techniques from
The Colette Sewing Handbook,
Inspired Styles and Classic Techniques for the New Seamstress
A denim skirt from the same pattern has also been a mainstay garment in
Susan's wardrobe 

Snakes Alive ! Environmental Consultant by Day

Sewist by night 
~ ~ ~
No coyotes or mountain lions slipped through the parking lot (as we'd both hoped they might), but snakes alive, did we have a good time talking late into the night! Come along and listen in.

~ ~ ~

Hey! The latest and greatest Enchanted by Sewing Podcast has been published!

Two Ways to Listen
i) Listen Right on the Web

i)You can listen to the show right on the web by clicking on the following links

http://traffic.libsyn.com/enchantedbysewing/SnakesAliveFINALCast11Aug_2013EnchantedBySewingPodcastSUSANS.mp3

~ OR ~
ii) Click on this link to iTunes to download these shows to your mobile device (iPhone, Android, etc.) free from iTunes 

Did I miss any links mentioned in the show? If so, please post here and let me know, or else email me at,  EnchantedBySewing AT gmail
~~~ 

I never would have guessed that this self-described fashion engineer came to fashion sewing fairly recently. It seems Susan S. owes many of her early sewing creations  to The Colette Sewing Handbook, Inspired Styles and Classic Techniques for the New Seamstress.

Colette has an extensive pattern line

Susan bought her fun snake skirt fabric (pattern from that Colette book above)  at Satin Moon in San Francisco (Richmond district). 

Britex, just off of Union Square, is another favorite fabric shopping spot for San Francisco Bay Area sewists.

Partial to Colette's patterns, Susan prefers tailored and fit styles  often with, a hint of a retro vibe.

Professional and weekend wear are well integrated in Susan's wardrobe. Business casual is her everyday look and skirts and dresses are important for Susan's girly-girl style, whether at home or work.

In the interview, we touch on... 

• Wardrobing, Sewing With a Plan (SWAP), Susan’s work-home wardrobe is well integrated

• Susan gets her fabric prepped and her creations pressed at Broadway Cleaners, RedwoodCity (San Mateo County, San Francisco Bay Area)

• "Nancy donned a sheath" As well as being an inspiration to professional women since the 1930's, Nancy Drew has always been a woman with a distinctive fashion sense.

• Deadlines and Special Occasion Sewing

• Dedicated Sewing Space and Crafternoons

• Google Sketchup is billed as 3D modeling software

• CA Fashion Styles

      One of both Susan and Laurel's favorite field trips in San Francisco ...Walk from Union Square, down Market Street, out to the Ferry building, for beautiful bay views, and the Farmer’s Market, for people watching and scenery

• CA Work Styles
     Styles vary throughout the Bay Area. Ferry Building commuters in San Francisco have their own sense of style. If you visit the heart of Techie Silicon Valley it's all about tee shirt and jeans. One classic Meetup spot where this look dominates is the Red Rock Café on Castro Street in Mountain View. Venture Capitalists? They've got another look all together.

• Personal Fashion Style, and what's the point of it

~ ~ ~

Following up on last month's podcast, the tour of the V&A Fashion Gallery Miss Firbank's Pink Linen Cuff

~ ~ ~

Please comment on next month's topic - Dress Forms- 
-in the Post a Comment section,  below:-)

Pensamientos: Techno Phobia for Sewists

Have you ever read any references to the horror of depending on some terrible new technology, over the wholesome value of, say, a nice, neat hand stitch?  Bet you dollars to doughnuts people were up in arms over  the invasion of this new-fangled gizmo into domestic life.

Of course there were also those who complained when the printing press got going. The children won't learn to memorize anymore! Kids don't memorize things much and I wonder how much impact that has on our society of readers? I still like to memorize, and I enjoy hand work but the printing press and the sewing machine have had a pretty big impact on my life.

The Sewing Machine was once new technology, humming along and making a terrible racket. I'm shouting, Hurrah for the Hum! 

The following excerpt from the 1914 book, Letters of a Woman Homesteader (now in the public domain), by Elinore Pruitt Stewart, gives an excellent impression of the value of the sewing machine in frontier life. There are free versions of this book at Guttenberg (http://www.gutenberg.org/ebooks/16623) and free audio versions at librivox.org. (BTW there is a racial label used in this section of the book, that we wouldn't dream of using today. So if you're sharing the store with a younger person, it's an excellent opportunity to discuss historical attitudes towards societal roles, as displayed by language.)

After we debated a bit we decided we could not enjoy Christmas with those people in want up there in the cold. Then we got busy. It is sixty miles to town,
although our nearest point to the railroad is but forty, so you see it
was impossible to get to town to get anything. You should have seen us!
Every old garment that had ever been left by men who have worked here
was hauled out, and Mrs. O'Shaughnessy's deft fingers soon had a pile
of garments cut. We kept the machine humming until far into the night,
as long as we could keep our eyes open.

All next day we sewed as hard as we could, and Gavotte cooked as hard
as he could. We had intended to have a tree for Jerrine, so we had a
box of candles and a box of Christmas snow. Gavotte asked for all the
bright paper we could find. We had lots of it, and I think you would be
surprised at the possibilities of a little waste paper. He made
gorgeous birds, butterflies, and flowers out of paper that once wrapped
parcels. Then he asked us for some silk thread, but I had none, so he
told us to comb our hair and give him the combings. We did, and with a
drop of mucilage he would fasten a hair to a bird's back and then hold
it up by the hair. At a few feet's distance it looked exactly as though
the bird was flying. .... I never had so much
fun in my life as I had preparing for that Christmas.

Antique Threads:My Life in Costume Drama (Poldark)

Demelza Poldark, in one of her beautiful
Empire Style Day Gowns,
Shown here giving husband Ross a piece of her mind
in the BBC series "Poldark",
Inspired by the novels of Winston Graham

In college and high school I sewed a goodly number of frocks along the lines of Demelza's in the BBC television series Poldark. The high waistlines of Empire dresses spoke not only to the style of the English Regency era, they were how we imagined we would live our lives. Did you live your life as though you were part of some kind of drama when you were that age too?

Nowadays I look to Demelza's dresses more for sewing inspiration as to color, pattern and  details then as clothing I might wear for a walk in the park. As I mentioned in the Enchanted By Sewing December podcast (Ench-004: Good Night My Someone), this kind of gown still inspires my nightgown sewing. I've been mulling over creating a romantically styled spring/summer nightgown inspired by this sort of dress and the Folkwear "Beautiful Dreamer" nightgown pattern I've got tucked away.

It's the men's clothing from that era that inspire my daytime, for-public-view garment sewing. I love the buttons, lapels and fabrics of men's vests and they way they combined with what we might now call a poet shirt.

Imagine what a Buck like Demelza's husband Ross Poldark would have said if he had met a time traveller from today and learned that one day, women would wear trousers as tight as his own!

Notions: I Don't Give a Pin!

Pincushion Gal Helps Keep Me
Enchanted By Sewing

But Darling, we can't have your mother to stay. We're going to the country this weekend.

Oh fiddledeedee, I don't give a pin about going to the country!

You don't hear people complaining that they .... don't give a pin! for something anymore. Usually a more vehement expression is used to express disinterest in a companion's speech or interests. I suppose it's because pins aren't worth much anymore, though you can still find references to people paying for things using pins in the delicious Betsy and Tacy books. And how many people do you know who refer to their pin money these days?

I love my new friend, Pincushion Gal. Mostly she's content hanging out behind my sewing machine, but she has been known to go visiting as far as the ironing board. At first I kept knocking her over, because her heavier torso was supported by a rather frail little base. After a confab with my husband we came up with a solution to that little challenge. I stitched up a little sack of dried beans, using the end of a piece of flannel from the night shirt I'd just made him (another good reason to hold onto scraps!), filled the little case with dried beans, then attached the resulting bean bag around the base of the form with - you guessed it- pins! My gal doesn't get knocked off her feet anymore, despite all the work she does for me.

As you can see, it's quite tempting to add more than pins to the newest member of Sewing Corner. So handy to tack down bits of silk organza scrap (good spots to stick my threaded needles), spare bits of trim, beading, and the pretty little brooch I picked up from the flea market. And of course a lady like this needs a fan for flirting with her many admirers.

Hanging out with the new girl at my machine, keeps me, as always, absolutely enchanted by sewing.