Farewell to Summer - Romancing Fiona, the Irish Laurel Dress (Part 2/2 -Termindado!)

Fiona, the Irish Laurel Dress

Fiona is made from a yellow green Linen-Rayon blend, lined with Bemberg rayon.

This dress has a one piece front and one piece back.

It includes front bust darts, back shoulder darts and partial darts that open like tucks in the torso front and back. The bodice above the dart/tucks is quite fitted.

The kissing zipper is prick-stitched.

I started day dreaming about creating Fiona at the beginning of summer. Then  in Fiona, my Summery Irish Laurel Dress,
I got more serious about my romance with this dress. I began playing around with a small pattern replica, imagining how I might manipulate my sloper*.

Since then, my summer frock dreams came true. I drafted a pattern for my Irish Laurel Dress, and sewed her up too. I've worn this perfect summer frock several times and really enjoyed the feel and flow of the garment. I'm already looking forward to using and altering this pattern again.

I talk about creating Fiona in my September Enchanted by Sewing Audio Podcast** - Remember you can either download Enchanted by Sewing audio shows from iTunes OR you can just listen right on the web (while sewing perhaps?). Links for both will be in the show notes, as they always are.

(Listen to the Fiona Show right on the web by clicking on this link)

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* Initial Blue Sky Plans for Fiona - http://meencantacoser.blogspot.com/2015/08/romancing-my-summery-irish-laurel-dress.html Playing with a small version of a sloper pattern was a great way to envision the actual pattern work.

** Stop by the shownotes for the Enchanted by Sewing Podcast and sign up to get an email abouut new monthly audio shows. Or subscribe in iTunes.  http://www.enchantedbysewing.blogspot.com/

Romancing my Summery Irish Laurel Dress- Pattern Blue Sky (Part 1)

It's fun looking back at what led to the creation of Fiona, my newly finished Irish Laurel dress. I'm going to talk about this new frock over the course of several blog postings, as I recall what led to the pattern draft, pattern choice, and spirit of the dress. I also plan to dedicate a podcast to Fiona. I'm not sure if I'll produce that 'cast as my August or September show. You can signup at http://enchantedBySewing.blogspot.com to get email notification when new podcasts are released.

I began work on Fiona using a quarter scale sloper pattern, which I traced from a sewing book. There are a lot of slopers on the web that I could have printed out as well.

 My sloper has a bust dart and fisheye front dart like this one.

I wanted Fiona to be empire waisted, but I didn't want to simply gather a high-waited skirt under the bust. 

Design Goals
1) Sleeveless
2) Empire waist
3) One-piece front (and back).
4) Very fitted bodice
5) Pattern with very simple lines
6)  A light, floating and easy feeling summery dress

It really helped working in quarter scale. 

a) Initially I cut apart the bodice below the bust, creating a second, separate torso piece. Then I cut another line at the waist.

b) Notice that I pinned in the bust dart (goal 4) and put some padding under it to give me the sense of a three-dimensional garment. That also shows where a skirt would attach to the stitching line, so I know how long to make the seam line for any pattern piece that might be separate would need to be. 

In this case, as you can see from the curved line I extended the pattern at this below-the-bust point, so that was not an issue. If I were cutting a separate skirt piece, it would be.

c) I then cut apart the skirt as though I were creating a flared skirt pattern. I blogged about making a flared skirt from a sloper shortly after I finished my "French Pattern Drafting" class with Lynda Maynard. This is the first chance I've had to actually make a flared skirt. Of course this flared skirt will not hang from the waist, but I figured it was the same idea.

d) After I taped up the flared skirt - by closing the waist dart and pulling the skirt apart to accommodate that - I graded down from just below the bust (where I cut the pattern apart) to the side seam of the skirt in the area of the full hip. That's the slightly curved line you see drawn in.

Later on, when I created the actual full-sized pattern based on my sloper. I didn't cut apart the bodice, though I did cut away the skirt at the natural waistline, reforming the full front by judicious taping and pattern paper insertion. I did cut several lines to accommodate dart movement however.

Another thought, if this were a really complex pattern, would be to use some kind of small dress form just to do the pattern work without the fit. I'm not sure if this quarter-size would fit a large doll, but it might. Or you could rework this mini-sloper to fit a large doll. Madeline Vionnet used to drape patterns on a fashion doll. 

If the doll represented a child, I'd need to pad it out to represent a more womanly figure. It would be fun to try - if life were only all about sewing!

Terminado! Rose Embellished Straight Skirt - My Own Pattern Work

Man alive, I can't believe I finally finished sewing this skirt! Hey my hair isn't really this red! I was cleaning up the light in the photo and my hair color changed!

Seems like I've had the embellishment inspiration for this skirt skirt, pinned to my Sewing Inspiration board  forever. Of course, I have one or two other items on that board as well -  ok, I think over 600 garments-  and I might just not make all of them!

Basics -

1) I drafted the pattern as a straight skirt, using my sloper. Here's how I did the pattern work.

http://www.meencantacoser.blogspot.com/2015/04/pattern-work-parlez-vous-straight-skirt.html

2) I got together with my buddy Susan and had a lot of discussion about whether or not to put the two layers of ruffle on both front and back or just front - we agreed front only. It's a heavy embellishment.

3) I was using a slight-stretch denim from my fabric inventory. Hummmm while the no-waistband look is flattering  - that is a challenge. Don't want the waist slipping over time, especially with the heavy embellishment. So...I did two things

  a) I cut a partial lining out of heavy utility twill fabric. I both sewed it in and also tacked it down along the waistline to help the skirt hold it's shape. 
  b) Also.... I stayed the waist, by running a grosgrain (or was it a petersham?) ribbon along the inside of the waistline, tightened it so it's a touch shorter than the waist circumfernce, then sewed that in place along the waistline as well.

Hopefully that waist is not going anywhere it isn't supposed to now. We'll see over time how the fit works. I got the ribbon stay idea from my Bustier claass.

I really like the fit of this skirt

My Skirt's Rose Embellishment

4) The Embellishment took a while to work out. A lot of laying, pinning (safety pins as well as straight pins)  and hummmming went on. Good to have Susan around while I did that. I turned up the denim ruffle edges only once and used a faux-serger stitch (I don't have a serger but I have decorative stitches that mimic some of the concepts), Too much bulk for a twice turned hem on the ruffles.

The rose was just challenging. I also spent a lot of time with the original photo of the rose on the embellishment garment (*), thinking about how what percentage of the height of my skirt, that rose, and the ruffle trim,  should cover. Too big and we're talking Carmen Miranda - which is fine if that is what you going for. Also getting the folds within the rose center was tricky. If I were to recreate this skirt, I might use a mid-weight denim. I used a heavy weight here.

My Sewing Inspiration Board - https://www.pinterest.com/lrshimer/0sewing-inspiration/

* Inspired By (a different style of denim skirt I was only interested in the embellishment) - https://www.pinterest.com/pin/565624034426847818/

Ench By Sew-32: Parlez Vous French Pattern Drafting?

The May Enchanted By Sewing, Episode 32 Audio Show is Up ! 

Listening Option 1: Download from iTunes
Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

Listening Option 2: Direct Download/Listen on the Web

http://traffic.libsyn.com/enchantedbysewing/CastFINALParlezVousFrenchPatternDrafting.mp3

I first signed up for Lynda Maynards' French Pattern Drafting Class to help me improve my fit and alteration of commercial patterns and was surprised to find that Lynda's class opened my eyes to the idea of drafting my own patterns - an aspect of sewing I’d never expected I’d get involved with, and frankly considered beyond my skills.

Studying with a teacher like Lynda and being inspired to try new things – that’s the kind of thing that keeps me, enchanted by sewing!

1) Pensamientos Primeros – The Art of French Pattern Drafting

My Pattern Work Postings

Early Days in Pattern Drafting Class - Includes Kenneth King Link http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

More from Class http://meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html 
and

http://meencantacoser.blogspot.com/2015/03/fitting-in-sleeve-sloper-pattern-work.html

 Using My Sloper and Moulage to Draft Patterns

http://meencantacoser.blogspot.com/2015/04/pattern-workparlez-vous-tee-shirt.html

http://meencantacoser.blogspot.com/2015/04/damson-plumm-private-eye-nibbled-that.html

     Parlez Vous Flared Skirt? http://meencantacoser.blogspot.com/2015/04/pattern-work-parlez-vous-flared-skirt.html
 

Pattern Work on Pinterest:Links to many pattern drafting and design resources  https://www.pinterest.com/lrshimer/0-sewing-pattern-work/

2) Technicos  - On Wearing Ease Going from a Moulage to a Sloper and Back Again

http://meencantacoser.blogspot.com/2015/05/parlez-vous-wearing-ease-moulage-to.html

3) Pensamientos Finales – My sloper...A garment for any occasion?
 

FLARED Skirt - Parlez Vous French Pattern Drafting? Moulage Class Pay Off

   
The second of three skirt drafts, I leaned about in the French Pattern Drafting/Moulage class I took from Lynda Maynard.

To create a flared skirt from a sloper. This example shows a back sloper. The changes are the same for both front and back.

* A - In the beginning, it's like what we did drafting the straight skirt * 

 First, trace a new copy of each sloper piece, back and front,  on your pattern paper of choice.

Second, Cut away above* the Waist Balance Line

*Leave some seam allowance above that waist balance line. You may want to face the skirt waist or you may want to add a waistband. Better to leave a little extra for now....

Third, Extend down 26"** from the Waist Balance Line at Center Front 

** 26" was suggested by Lynda, maybe a longer or shorter length works for you. Play around with your muslin version. I measured a knee length skirt I made last summer, and this length was about right for me. 

* B - Now... the pattern changes from what we did for the straight skirt *

Fourth,  
i. Cut down one of the dart legs (red dots)
ii. Cut UP from the hemline to just below where you cut the dart leg, leaving a hinge point there

 

                                                                          

Fifth,  Move the cut dart leg over beneath or on top of the other dart leg. This opens up an area in the skirt. You may choose to leave a bit of the dart in place, if you want less of a flare. Tape your dart legs together.

 Sixth, i. Cut a piece of tissue that would fill in behind the newly opened part of the skirt pattern with paper. This is the insertion. Then add another 1/4" to the insertion.

ii. Create an extension that is the same size as the original insertion.  Tape your insertion and extension onto the back of your pattern.

Seventh - Make a nice new pattern piece with no tape. You may want to go ahead and add seam allowances to the new pattern. Since I draft my patterns from my sloper, it doesn't have seam allowances already. A 1" seam allowance is great, the first time you draft a pattern. It gives you a lot of wiggle room. 

Don't forget to date your new pattern pieces. You'll be glad you did.

Damson Plumm Private Eye - Nibbled That Tee

Damson Plumm Private Eye is, as you might imagine, inspired by bounty hunter Stephanie Plum

Remember when I blogged about Lynda Maynard's French Pattern Drafting class starting to pay off? Yes, I am indeed mighty happy with this plum purple tee shirt I created from a pattern I drafted myself. It was based on nibbling away at  the moulage fitting pattern that came out of Lynda's class. I also really like the royal plum-purple rib knit that I used to make the tee. Can you believe I found this material in my fabric inventory? ( Fabric inventory sounds so much better than fabric stash.)

What did I learn while creating this tee? 1) Don't fit the front and back first and then add the sleeve. I thought this top fit so perfectly, after mocking up just the front and back, that I sewed over the basting stitches in the side seams and then went on to
a) Redraft the sleeve pattern- making it much narrower
b) Cut out the reduced size sleeve
c) Sew those nice narrow sleeves in.

Uh oh....Taking in those side seams would have been fine, if I'd wanted a sleeveless tee, but I didn't.

Hardy har har - you should have seen my arms looking like sausages, unable to move. And we all know how fun it is to pick stitches out of knit fabric!
2) So, good thing, I had already learned to  ... cut super wide seam allowances when I'm playing with new patterns I draft myself. Thank goodness I had made my seam allowances 1 and 1/4 inches wide. I wouldn't have had enough fabric to rework the underarm seams on my sleeves otherwise- because of course I'd redrafted the sleeve to be so much narrower, after I'd fitted the front and back together, taking in the side seam allowances by quite a lot (smaller than the original moulage indicated).
3) Even though I wasn't in the mood, I measured all the changes I made on this tee and prepped a complete new pattern, all ready to try out on another tee project. Because another thing I've learned is that I don't always remember what changes I made, and I can't always find the last garment I made from a pattern when I go to use it.

  ~ ~ ~

Damson Plum is, as you might imagine, inspired by bounty hunter Stephanie Plum. Stephanie is younger than me, even funnier than me and has a grandmother who drives a hard-working gal crazy, but I still identify with her.

Damson Plumm Private Eye is inspired by bounty hunter Stephanie Plum.

Way back when, I created a Damson Plumm Private Eye label for my home made plum jam (using my home grown damson plums). And now, thanks to my new pattern drafting skills, I've drafted the pattern for, and sewn, my own Damson Plum Private Eye tee shirt. I'm sure it's the plum-purple that Damson always wears, that helps her crack those tough cases.

STRAIGHT SKIRT: Parlez Vous French Pattern Drafting - Moulage Class Pay Off

                                                                
The first of three skirt drafts, I leaned about in the French Pattern Drafting/Moulage class I took from Lynda Maynard.

To create a straight skirt from a sloper. This example shows a back sloper. The changes are the same for both front and back.

First, trace a new copy of each sloper piece, back and front,  on your pattern paper of choice.

Second, Cut away above* the Waist Balance Line

*Leave some seam allowance above that waist balance line. You may want to face the skirt waist or you may want to add a waistband. Better to leave a little extra for now....

Third, Extend down 26"** from the Waist Balance Line at Center Front 

** 26" was suggested by Lynda, maybe a longer or shorter length works for you. Play around with your muslin version. I measured a knee length skirt I made last summer, and this length was about right for me.

Fourth, Extend out 3/4 of an inch from the side seam at the hem

And Finally grade back up from the extended hem to the full hem balance line. If you (instead) draw the side seam straight, the skirt will read as a pegged skirt and not a straight skirt line.

Drafting my Back Block - Learning Pattern Work with Moulage/French Pattern Drafting

Version 1 of my Back Pattern Block Draft

I'm taking Lynda Maynard's Moulage class at Cañada College. Moulage is the traditional style of pattern drafting used in France. Lynda studied pattern drafting, among other things, with Kenneth King. We're using a printed version of Kenneth King's Moulage book. 

On the web I can only find Kenneth King's Moulage Book on CD http://www.kennethdking.com/book/#moulage

   

We'll be creating a skin-tight, fitted moulage and then a sloper - a moulage that includes minimal wearing ease. We'll also be drafting sleeve patterns/slopers to work with these. My sewing buddy Susan and I, are very excited about those sleeves! Susan was featured in last month's Enchanted By Sewing Audio/Podcast - A Very Fitting Sewing Day With Susan

We've begun by drafting our back pattern blocks.

To get to this point, we followed Kenneth King's/Lynda's directions. Those included:

1) Taking careful measurements of, and recording, many dimensions of our bodies - front and back. I think there are about 20 measurements between our neck to the floor, with most of them centering around the torso. This is not something you can do for yourself. You need at least one buddy. It reminded me of the measurements we took when we made our dress form kits. (I produced a podcast about creating Dress Forms)

2) Using these measurements in a number of formulas, to create a sheet of calculations. Again we made a careful record. It was definitely worth my time to triple-check that I had
a) transferred the right measurement into the formula
b) done the math correctly
We rounded up all of our math to the nearest 1/8'th of an inch. 1/8'th of an inch is the smallest measurement on most rulers.
The book includes metric directions as well.

3) Next we followed  Kenneth King's/Lynda's directions to draft the back block you see here, using the calculations. Once more I'm went back and triple-checked, to be sure I was using the correct calculations in my draft.

Lynda reviewed our work not only for correctness, but also to make adjustments for various figure types. She adjusted the line in many of our shoulder drafts down at an angle. I'd guess that you might see the need for this later on in the process, if you're doing this work on your own.

Next we'll be drafting our front block.

After that, we'll work up a version in muslin.

This is one of those processes that takes a lot more time than I'd expect, but it's going to be well worth it for me.

My goals for the class are:

A) To make a new fit garment for my dress form, Conchita. I'll also be removing some of Conchita's padding and batting, to fill out that fit garment correctly. Gosh, wouldn't it be great if it were that straightforward for people to lose weight?

B) To create clear plastic transparencies I can use when altering commercial patterns. Lynda says the material she uses for this is from Tap Plastics ( Tap  Plastics:
24 1/2"  by  45"  by  .020  smooth/matte  polypropylene  sheet  SKU#20346)

C) Down the road... I might use these block in some way, in conjunction with draping my own patterns

Learning more about what makes patterns come together is the kind of thing that keeps me . . .

Enchanted by Sewing!

~ ~ ~

My Buddy Susan and I share what we've each learned about getting a good fit with our sewing patterns. In Last month's Enchanted By Sewing Audio/Podcast  Susan described key things she learned from sewing fit classes (Also we had a lot of fun chatting) A Very Fitting Sewing Day With Susan (Download or just listen on Line) http://enchantedbysewing.blogspot.com/2015/01/ench-by-sew-028-very-fitting-sewing-day.html

Enchanted By Sewing Audio/Podcast - Dress Forms (Download or just listen on Line) 
http://enchantedbysewing.blogspot.com/2013/09/ench-by-sew-12-dress-forms.html

Jean Sewing: My First Jeans are Done/Terminado!

* My very first time sewing jeans 

* Yup, they fit me. I drafted the pattern myself 

* I'm already looking forward to making more - so many ideas 

* I'm not telling you about anything I didn't do right the first time. I just want to enjoy all the rightness that's there :-)

Jeans Sewing: Drafting a Basic Pants Pattern

Learning to create the pattern  for my first pair of jeans, certainly has me
Enchanted by Sewing!

1) Summary - What I've learned
2) History
3) Resources

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1) Summary - What I've Learned

* Have now drafted my Basic Pants Pattern
* Jeans Pattern will be a variation on the Basic Pants Pattern
* A lot of time!
* Basics - Used charts in book (see Resources below) to draft a basic pants block. Created first pass at pattern from that block. 
* A double tracing wheel-  carbon paper to fabric tracer tool - (like Clover Double Tracing Wheel) was very useful for adding a 1 inch seam allowance to the original pants block. The reason I couldn't make that work before - lousy carbon paper from local store. Clover Chacopy transfer paper works much better. I bought both on the web.

I continue to use these time saving, transfer, seam allowance adding, tools on each iteration of the pattern.

* Alteration Time - Time is the key word here. I continue to spend a lot of it on this project
* Alter muslin, alter pattern, study results with fit buddy or in the mirror (for the front anyway). Repeat these steps until done.
* Fit buddy eyes me and suggests alterations
* Studying typical alterations is very useful - even those that don't sound like my fit issues help me to think through those I need to make
* Not all alterations are standard. Studying them helps me to develop my eye, and use my own senses about what needs to change in each pattern and muslin draft
* Mirror is essential. I used masking tape on fit lines, so I could see them better in the mirror when I was working on my own between classes (this really only works when altering the front!). My teacher thinks masking tape drags down the muslin. In order to keep going on the project, I needed that masking tape!
* Straight of Grain (SOG) is essential, as well as perpendicular fit lines. When I make changes, I need to relate back to the original pattern and these lines provide those relative points.
* Drawing fit lines is essential - waist, upper hip, lower hip, crotch, thigh, knee, calf. They need to be dark enough to see them in the mirror when I try on the current muslin
* Fit lines below the crotch need to stay parallel with the floor!
* Watch that straight of grain!
* In the curvy parts of the body, fit lines and SOG will curve. That makes sense, when I think about it.
* Thread basting fit lines takes longer. I like using a dark pen that shows through both sides of the muslin better
* Staystitch the waist line. Use narrow elastic to tie muslin pants on at the waist. Leave open at front (where zipper would go) but draw on stitching lines and pin on there when trying on.
* This process takes a lot of muslin. When I try to conserve muslin, sometimes it just adds a lot more time

~ ~ ~

2) History

I've blogged/journaled many times about my determination to learn to sew jeans. In the summer I began this journey by working on jeans sewing techniques, but without the jeans! That is, I first sewed a jeans-style denim skirt. 

I had found myself intimidated by the many different, and new-to-me, skills involved in sewing jeans. When I sorted through what was keeping me from getting going, I realized that getting the fit right on a jeans pattern was a biggie, so I put that off and focused on materials and techniques - though I found fitting that skirt in heavy weight denim - versus the twill I'd used to test out the pattern - to be more work than I'd expected. I'm currently at work on the October Enchanted by Sewing Podcast, which will be an audio show about my experiences working on the jeans-style sewing skirt project. You can signup to be notified (no spam!) when monthly podcast episodes are released by visiting the show notes for the  Enchanted by Sewing Podcast.

This fall, I've begun working towards my first pair of actual jeans

I'm taking a pants drafting class in order to get a pattern that fits me. Alternatively, I could have worked on altering a commercial jeans pattern. There are several recommendations for jeans patterns others have tried, in the Pattern Review forum Make Your Own Jeans, You Can Do It! Several of those patterns, have detailed instructions about fitting the patterns to your figure type, as well as  many more sizes than are typical in Big-4 patterns.

I haven't ruled out using a commercial jeans pattern for a future jeans project (in fact I bought a couple when I was first considering taking this learning project on), but since I am a student in the Cañada Fashion Program, why not learn something about pattern drafting and fit in a classroom environment?

~ ~ ~

3) Resources

* Jeans Sewing: Skirting the Issue - Terminado!/Done! 

This blog/journal post summarizes the work I did to create my jeans-style denim skirt. This project got me started on the path to jeans sewing.

http://meencantacoser.blogspot.com/2013/09/jeans-sewing-skirting-issue.html

* The Enchanted by Sewing Podcast is an extension of this blog. It's a monthly Audio Show where I focus on sewing specific garment styles and interview other sewists. You can either listen right on the web (while you sew maybe!) or download it to a mobile device like an iPhone, Android or other mp3 player. http://www.enchantedbysewing.blogspot.com

* In pants drafting class, we're using the book Building Patterns, The Architecture of Women's Clothing by Suzy Furrer.

* Pattern Review: Make Your Own Jeans - You Can Do It!
http://sewing.patternreview.com/blog?s=1431483

Jeans Sewing: Demystifying Jeans Drafting (Fit)

A classmate gave me permission to share
this photo of her first muslin being fitted
Notice that a piece of elastic has been pinned along
the waistline she stitched on her muslin. Part
of our fit job, was to make sure that line ended up
at her natural waistline. Do you see the pins at the
side seams? We added fabric beneath those zones.
We can tell the pants are fitting better in this zone now,
because the red lines of stitching that our classmate
basted at the high and low hip, are now
parallel to the floor.

In a recent posting I wrote about the class I'm taking in pants drafting. There, I'll be creating a pattern for jeans that will flatter my figure. (There are commercial jeans patterns that include extra instructions for fitting jeans patterns. )

The drafting process is pretty much new to me. I'd drafted two simple garments from books, but nothing anything along the lines of a pair of pants. Here's what I've learned so far.

First we created a pants block, taking personal measurements and making calculations as directed in the class textbook (*). Both the front and back block are contained within the same drawing, there are just different lines to follow. I found that somewhat heavy banner paper from an office supply store worked best for this. This block pattern does not include seam allowances.

Second I traced the pants block and created two tissue pattern pieces. Now I had separate front and back pieces. Before I cut out the pattern pieces I added 1 inch seam allowances. I measured out from my stitching/fit lines on the block with a clear ruler to add the straight seam allowances, and drew dotted lines where there were curves. I tried a Clover duel-wheel tool to do this - it looks like one of those carbon paper type wheels you might typically transfer pattern markings with - but I couldn't manage to get it to make two dark enough lines.

Third I pinned and cut out muslin pieces. I used a regular single tracing wheel and brightly colored tracing paper to mark every single measurement we'd used to create or draw on the block. These included: straight of grain, waist, high hip, low hip, crotch, thigh and calf. I also marked darts, the side seam, and bottom stitching lines. I used a 200 thread count muslin, which seems to be somewhat tighter than a typical muslin, it cost more too. I read somewhere that you cannot assume that higher thread count means it's better. You have to develop a feel for the good stuff.

I basted every single one of the stitching lines I'd marked with a stitch length of 5. I did use a locking stitch at the beginning and end of my stitching. I staystitched the waist line and bottom of the pants with a stitch length of 2.5. The staystitching keeps the muslin from stretching too much during fitting.

Fourth I sewed the muslin test garment, one leg at a time, then the crotch seam (putting one leg inside the other) for a smooth crotch seam. I left the center front seam open to the bottom of where the fly front zipper would be sewn - so I could put the test garment on !

Fifth I took my muslin test garment to class and worked with my fitting group to begin fitting the garment. This is the point where you look for all the things you often see in books about fit, things like folds in the wrong places, smiles and wrinkles. 

The most important thing I learned at this stage, was to keep the lines basted on the garment either parallel or perpendicular to the floor. Often the signal for a fit problem was that a fit line veered away from the straight.

• Where garments were too tight, we snipped along different basted lines and inserted pieces of fabric. You can see some of that in the illustration above.  
• Where garments were too loose we made tucks and folds.
• We adjusted the rise of some parts of our garment. Typical of this type of adjustment was snipping along the high hip mark, moving the waistline up, and pinning a piece of muslin underneath. Often these adjustments were curved.

Sixth Next, I'll be altering my tissue pieces to create a second pattern draft using the alterations on my muslin test garment, then it will be time to create a second muslin test garment.

Yes, it's a time consuming task. And it's exciting to learn more about how to create garments that truly fit.

Learning about pants drafting definitely helps keep me

Enchanted by Sewing!

~ ~ ~ 

* We're using the book Building Patterns, The Architecture of Women's Clothing by Suzy Furrer.

Jeans Sewing: Drafting my Jeans Block (Fit)

This is the pants block I drafted in class. The book mentioned below explains how to do this
Both the back and front of the pants are drawn on here
Next, I'll create the pattern tissues,
After which, I'll make a muslin fitting garment with all the fit lines
basted on in a bright color thread.
In next weeks class our teacher will help us to refine the fit.
Eventually this pattern will lead to my own jeans pattern!

Right now I'm working away on drafting a jeans muslin/toile . I'm very happy I chose to sew my jeans-style skirt first. It helped me to divide up the challenges of a new-to-me sewing project.

It definitely gave me a feel for the heavy denim I want to use, topstitching, and hardware. Plus.... A week after completing this poroject, I've worn the skirt five days, and gotten a kick out of it every time. I really feel ready to tackle those pants inspired by Mr. Levi. 

You can certainly fit a jeans pattern, by following instructions in a commercial jeans pattern. Several of the more popular patterns have special instructions just for doing this, and I made a collection of several of those patterns over the last year. However I'm lucky enough to be able to take Lynda Maynard's "Pants Drafting" class at Cañada College, so I'm taking advantage of that opportunity to get my jeans pattern created that way, and learn something about pattern drafting along the way.

We're using the book Building Patterns, The Architecture of Women's Clothing by Suzy Furrer. I'm kind of excited to look at the variety of garment blocks shown in the book! 

Draping With a New Retro Friend

Eventually I'll be draping on my own
Uniquely You dress form, but for the first few assignments
we use the school's forms.
I fee very lucky to be matched up with this lovely
lady, created in 1965.

This year I created and began to use both a duct tape, and Uniquely You dress form. These new fitting companions have helped me to fit patterns, muslins, and garments.

I learned so much getting started with these dress forms, that my September Enchanted by Sewing Podcast show, will be about what I've learned creating and using these dress forms. 

Still, there's more to come.

This fall I'm taking the Draping class at Cañada college. There I'll be learning the art of draping, and I can see that it truly is an art. I'm just beginning to develop my eye, use my fingers to smooth the fabric as I drape, and starting to learn where the material is telling those fingers it should go. It's pretty exciting to think that by the end of the semester, I should know enough to draft some of my own patterns - patterns that are made just for me, by me!

We're using the Connie Crawford Art of Draping book. I've listened several times to the Sew Forth Now podcast, where Lori interviewed Ms. Crawford (Sew Forth Now #35: The Industry) and enjoyed the story of how this very experienced woman came to create this book.

The dress form I'm currently using in class (I'll be using my own Uniquely You dress form later on in the semester) is a 1965 model. Just think how many students have learned to drape and sew with her! I compared her with some of the newer forms, and noticed that she is, as our teacher says "perkier". That is, her bust is more enhanced than other more modern dress forms. Yup, shapely chests were popular in the middle of that decade.

I'm so pleased I've been teamed with this retro 60's gal. 

It's sewing companions and classes like this that keep me....

Enchanted by Sewing

* * *

You can find Lori's interview with Connie Crawford on the Sew Forth Now Podcast  

http://sewforthnow.blogspot.com/2008/08/episode-35-industry.html